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Showing results for tags 'François Truffaut'.
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I really thought I would like "Breathless" more than I did. Articles I read about this film stressed how important it is, calling it one of the most influential films of the French New Wave movement that changed the way modern movies are made. Having watched this film, I can appreciate these sentiments. I can see how this style of filmmaking would have been groundbreaking in 1960, and I understand how a film like this could influence future film directors for years to come. Having said that, I found the movie tedious to watch. I would never be interested in seeing it again. From a film appreciation stand-point, I am glad I saw it. The film has a quirky 1960s feel to it, and there are moments I enjoyed. Years from now, if I look back on this film, the thing I will remember best is beautiful Jean Seberg and her charming gamine style. I would love to find a copy of the striped dress she wears at the end of the film in a second-hand store somewhere (along with a pair of wrist-length white gloves).
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I wasn't sure whether to post "Hitchcock/Truffaut" in film or literature, because I highly recommend both the book and the documentary about the book. I bought a paperback version of "Hitchcock/Truffaut" for a friend last summer, and when it arrived, I grabbed his copy and read it cover to cover for about four straight hours. If you are a fan of Alfred Hitchcock, Francois Truffaut or filmmaking in general, this book is a must-read. The book is based on a 1962 week-long conversation between Hitchcock and the then 30-year-old Truffaut. You get a real sense of both men, their filmmaking style and the art of filmmaking when you read this book. The documentary, which is readily available to stream online now, is based on the exact same conversation from 1962, but it is very different from the book. Because both directors are no longer living, there are numerous interviews in the film with other iconic movie makers, including Martin Scorsese and Richard Linklater. All share how Hitchcock's groundbreaking filmmaking style influences them and the movies they make. This is an engaging film that any fan of the cinema should not miss.
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This debut film by director François Truffaut is a delight to watch. Well acted and beautifully shot, this filmed charmed and moved me. Semi-autobiographical, Truffaut tells the story of a mischievous French teen. Obviously bright, but not given the proper guidance at home, his misbehavior escalates. Jean-Pierre Léaud, only 14 at the time, is wonderful in the role of Antoine Doinel. The other teen actors are very good as well, and Albert Remy and Claire Maurier are perfect as Antoine's inept parents. Truffaut was only 27 when he directed this film. "The 400 Blows" is regarded as one of his finest, and is considered one of the earliest works of the French New Wave. I love quiet, beautifully made films like "The 400 Blows," a character-driven look at a troubled boy looking for his place in the world.
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