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Having recently re-watched "The Candidate," Robert Redford's 1972 political satire about California politics, I decided to watch its "companion piece from the next generation," Warren Beatty's "Bulworth" from 1998. Thirty minutes into the film, it seems like a strange, love-child of "The Candidate" and "Network" (remember Howard Beale (Peter Finch) losing it, and screaming, "I'm as mad as hell, and I'm not going to take this anymore!"). That said,"Bulworth" is going to have to get better for me to like it as much as either of those two films. I'm not going to write up a long review of this, but it really grew on me over time. I started out not liking it *at all*, but then I saw that Beatty was taking some serious risk, and not going for a wide audience - who, exactly, *was* his target audience? There's doubt in my mind as to what this movie was even about, other than a politician growing stones large enough to speak the truth - this one goes straight to my heart because I *don't* think it's parody that partisan politics is corrupt in *both parties*. The day everyone is required to be an independent, and the two-party system is done away with is 1) the day a snowball freezes in Hell, and 2) the day I begin caring about politics and politicians again. As for the ending(s), I had a troubled feeling, but I honestly don't think it changes anything, because the gist of the parody was in the middle of the film. My respect for Warren Beatty went way up for having the courage to make this movie - perhaps the best political parody I've ever seen because it went, in its own *very* quirky way, directly to what desperately needs addressing. -
in 2007, the American Film Institute voted "12 Angry Men" the #2 Courtroom Drama of all-time (it doesn't take much to guess #1). This is a really good movie that is deeply flawed in a couple of spots, forcing resolution much sooner than would actually occur in order to finish the play (variants on Deus ex Machina). Still, it's a wonderful character study and drama that has essentially one setting, but was filmed in several hundred takes (!), with 12 men deciding the life-or-death fate over a young Puerto Rican man (who sure looked Pakistani to me, but I guess back then, "what's the difference?"). Jack Klugman is of special interest to me because he's a Baltimore Orioles fan, and this film takes place in 1954 - the first year that the St. Louis Browns moved to Baltimore and became the Orioles. If you watch this film, you'll know why I think Brooks Robinson should be nicknamed "The Groundskeeper" instead of "The Human Vacuum Cleaner." There were a couple moments that were simply so improbable that I felt they tainted the story - imagine unbreakable steel, withstanding all sorts of assaults, and finally buckling when a gnat flies into it - you get the point. But if you can forgive that - and I can - it's an important film that would also make for a solid play. I don't know if this was actually a theatrical production, but it would be very, very easy to stage, and it is in no way dated. A lot of the names up above you won't recognize, but you'd absolutely recognize their faces (Robert Webber, for example, in "Private Benjamin"). "12 Angry Men" is a great way to spend ninety minutes, and you'll enjoy trying to guess what happens at the end. The *actual* end, i.e., the final scene, which takes place in a moment of time outside the courthouse, is a small blip of genius.
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