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Showing results for tags 'Mary Tyler Moore'.
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I had never before seen "Ordinary People," a quadruple Oscar winner for 1980 which included the award for Best Picture. This was Timothy Hutton's first major role, and because of that, he was nominated for (and won) the Academy Award for Best Supporting Actor even though, in my mind, he clearly had the lead role in this film. I'm not sure how nominees are made, but perhaps it's the motion-picture companies that submit entrants to the Academy for consideration, and Paramount neither billed, nor perhaps nominated, Timothy Hutton as a lead actor due to his inexperience - while Donald Sutherland was extremely strong, it was Hutton who made this film what it was. Mary Tyler Moore, to me, will always be Laura Petrie, and to some, she will always be Mary Richards, both slightly neurotic, but lovable, characters in polar opposite roles (the former, a homemaker; the latter, a career-oriented woman) - but in both cases, slightly neurotic and intentionally a bit silly. I have since seen her in two major roles in motion pictures ("Thoroughly Modern Millie" and now "Ordinary People"), and in both roles, she seemed completely out of her element - yes, she's typecast to me, and there's nothing I can do about it, just as Leonard Nimoy will always be Spock, and therein lies the difference between "bias" and "prejudice" - prejudice is something that is much, much more difficult to overcome, and goes deeper than a simple "preconceived notion." The music in Ordinary People was "composed" (more appropriately, "arranged") by Marvin Hamlisch, and aside from an extremely astute and clever use of Pachelbel's Canon, which clearly represented Timothy Hutton and Friends reliving the same agonies over, and over again, without a logical endpoint, there wasn't much "there" there - in fact, there was a particularly cloying violin solo during a sad moment to which I said, aloud, "They can lose the violin anytime now." Ordinary People is a great movie - whether or not it merits being named "Best Picture" is up for debate, as two of its competitors were, in my mind, *clearly* superior films: "Elephant Man" and "Raging Bull," both of which were not just "great," but transcendent. -
Season 3, Episode 12. "The Sound Of The Trumpets Of Conscience Falls Deafly On A Brain That Holds Its Ears ... Or Something Like That!" - Dec 11, 1963: Have you ever had one of "those moments" where a character appears on a TV show, and you *know* you've seen the character before, and try as you might, you just cannot figure out where? (Of course you have: That was a rhetorical question - we all have). Well, it just happened when Lieutenant Yarnell came walking into the front office of the police station in this Dick Van Dyke show. Thank *goodness* for internet search engines - it only took about a minute before I had my "Aha! Moment." Meet Lieutenant Yarnell. --- ETA - Interesting, I just found out I'm related to Dick Van Dyke (we're both descendants of John Alden). May be a somewhat distant relationship.
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Season One (Produced by Allan Burns (Co-Creator of "The Munsters" and "Rhoda") and James L. Brooks (Producer, Director, and Writer of "Terms of Endearment," Creator of "Room 222") "The Mary Tyler Moore Show" won twenty-nine Emmy Awards - more than any other comedy in television history. 1.1 - "Love Is All Around" - Directed by Jay Sandrich (Directed 100 episodes of "The Cosby Show"), Written by Allan Burns and James L. Brooks, Co-Produced By David Davis (Co-Creator of "The Bob Newhart Show") Introducing Mary Tyler Moore, Edward Asner, Valerie Harper, Gavin MacLeod, Ted Knight, and Cloris Leachman Featuring Angus Duncan (Ticket Clerk in "Twenty-Two" on "The Twilight Zone")
