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Found 3 results

  1. I remember watching this in the theater, and liking it. It's probably worth a second viewing for me - why do you two like this as much as you do? I'm particularly interested in your answers since you're sci-fi buffs. Don't you hate the word "buff?" How far did this film deviate from reality? Could Ron Howard be the greatest living all-around movie- and TV-industry talent, especially given the longevity of his career (which could keep going for another twenty years)? Could he be the greatest of all-time? He reminds me of Dick Clark.
  2. In my ongoing quest to watch some of the 2015 Best Picture Nominees, I watched "Bridge of Spies," Steven Spielberg's historical drama about Rudolf Abel, Francis Gary Powers, Frederick Pryor, and James B. Donovan and the role he played in negotiating the prisoner exchange. Out of the four nominees I've seen, this would be the one most likely to get my vote, although not by much - they've all been quite good; none of them are what I would classify as great - in my mind, this has shaped out to be a pretty weak year for nominees. Still, I really enjoyed "Bridge of Spies," and Tom Hanks was terrific in his role as Donovan, as was Mark Rylance in his role as Abel - Rylance's was the type of screen presence that stays with you for years, and from what I can tell so far, he was fully justified in winning his Academy Award for Best Supporting Actor. It's interesting that three of the four nominees I've seen so far have been historical dramas (the other being "The Martian"), and with so many historical dramas on the nominee list, it's somewhat surprising that one of them won, as one might figure the vote would be split between them, and that something completely different (like "The Martian") could walk in and steal the award. I also had no idea this was a Spielberg film until the end. We have several "Spotlight" fans here, and the reason I personally preferred "Bridge of Spies" (although on another day, I could change my mind the other way), was because, not only was it not overplayed, but it also had a tiny bit of that Hollywood "oomph" that I enjoy as escapism - it wasn't at "The Martian" level of escapism; here, it was just a seasoning.
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