Tom is the food critic for The Washington Post, where he writes a weekly dining column for the Sunday Magazine, a weekly restaurant news column for the Wednesday Food section, a monthly report on out-of-town restaurants for the Travel section and an annual dining guide. He previously worked for Microsoft Corp., the Seattle Post-Intelligencer, the San Francisco Chronicle and the Milwaukee Journal. His work has appeared in GQ, Food & Wine, Travel & Leisure and other national magazines, and in 2003 he won the first place award for restaurant criticism from the Association of Food Journalists. He is currently updating his 2003 Washington Post Dining Guide, slated for fall 2005 publication.
Tom, thank you so much for doing this. On paper, there's very little 'upside' in it for you since you're already champion in the 100-meter sprint (your weekly chat) and the marathon (your weekly reviews). Hopefully, this will give you a chance to triple-medal as a middle-distance runner, having the chance to reflect upon each question, but also to answer in internet-speed. But most of all, I want to simply and quietly say thank you, Tom.
I'm becoming more-and-more tormented by the harsh reality of the exact same dish going through more metamorphoses than a character in a Franz Kafka novel, and I'm talking about the exact same dish, in the same restaurant, but on different evenings. I'm becoming convinced that the most important thing is who happens to be slinging your hash on any given night, and that it's nearly impossible to judge a restaurant without visiting it, seriously, ten times if you're going to be bold enough to discuss and scrutinize individual plates of food for the reader. Case in point: this evening I had two dishes at a hot new restaurant that were almost unidentifiable as the exact same things I had not two weeks ago. How do you account for such inconsistencies within a restaurant when reviewing it?
(I wanted to lob you a softball such as "what do you eat on your days off," but I thought this would make for a more vervant prelude...)
Cheers Tom!
Don


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