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And so I did, tonight for the third time. When I saw "Barton Fink" in the theater, I swore it was one of the greatest films I'd ever seen, but I didn't have the first idea *why* it was. Tonight, I still think it is, and only now do I fully realize just how much of this film I don't understand. As I type this, I'm partially finished with this piece, an important analysis of "Barton Fink" - "'Writers Come and Go': The Greatness of Barton Fink" by Eric S. Piotrowski on medium.com
Well, "The Big Lebowski" is another picture that nobody can believe I'd never seen before, but I hadn't (this, and "This Is Spinal Tap" were the two I'd really been wanting to watch for a long, long time). I was really getting into this film - a great comedy to be sure - when the terrorist attacks hit Nice, and pretty much ruined it for me. Still, that doesn't lessen the movie - Jeff Bridges is brilliant, and so is just about everybody else. I don't think I've ever seen a Coen Brothers film that I don't like - they are geniuses in the mold of Matt Groening. I'm not up for a big, long write-up, but I'd love to discuss the movie with anyone who wants to. This Nice attack has pretty much wiped out any comedic effects the film had on me tonight; tomorrow I'll be better - I'm not going to let those assholes compromise anything about my life.
I remember seeing "Do The Right Thing" (1989) when it came out in the theaters and really liking it; this, after *detesting* Spike Lee's first major film, "She's Gotta Have It" (1986). The amount of growth demonstrated as an artist in just three years is amazing. Today, I watched the movie for a second time, and I'm becoming more-and-more convinced (as I watch numerous films for the second time that I first saw decades ago) that I had pretty darned good (or, at least "consistent") taste back then, when compared to my taste now. This film is cutting-edge, even today, and it's hard to believe it's over a quarter-century old - it has easily stood the test of time, and is not dated in the slightest. It converted me from being a Spike Lee detractor to being a Spike Lee fan, and if you haven't seen it, I encourage you to do so. Note that this is also the debut film of Martin Lawrence and Rosie Perez. "Do The Right Thing" was completely shut out in the 1990 Academy Awards. This is a better movie than "Dances With Wolves" (which was one of the first Best Picture Winners that made me realize the Academy Awards are a travesty - how could this not have been nominated for *anything*? Why are critics afraid to go against the status quo and use their own minds? What good are they if they don't?