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Showing results for tags '1895'.
"How Babe Ruth Became the Model for the Celebrity Athlete" by Jane Leavy on si.com
Note: The nine-section tone poem, "Also Sprach Zarathustra," by the great composer, Richard Strauss, only extends to the 32:10 point of this video. The first section, "Sunrise," is the main theme from "2001: A Space Odyssey." My hope is that our readers will become familiar with the composer, Gustavo Dudamel, who is the <wink, wink> "inspiration" for the TV series, "Mozart in the Jungle."
There are three versions to the 1895 documentary, "La Sortie de l'Usine Lumière à Lyon," which has a running time of about one minute: The versions are referred to as, "One Horse," "Two Horses," and "No Horse" - it will be obvious why when you see them. All three can be viewed right here on Vimeo. Admittedly not much of a plot. It is not impossible that, if Jeanne Calment was born on the day this film was released, she still might have been alive this very day (Jeanne Calment remembered meeting Vincent Van Gogh!)
Alberta Hunter was a wonderful jazz and blues singer in the 1910s to 1940s who had, like many black performing artists, more success in Europe than in the US. She made quite a lot of recordings. This one, "You Can't Tell the Difference After Dark," was recorded in 1935 but not released commercially at the time. It surfaced on the compilation of naughty blues and jazz recordings called "Copulatin' Blues," which was released some time in the 1980s and is available today on CD: This song was broadly suggestive, as were many of the recordings on the compilation. Others were downright filthy, and I encourage you to go out and find them. In the 1950s, Hunter abandoned her singing career and embarked on a career as a nurse. In the mid-1970s she re-emerged, in her 80s, recording the soundtrack for the offbeat Alan Rudolph film "Remember My Name," whose title song she wrote. (The movie starred Tony Perkins, Geraldine Chaplin, and Alfre Woodard, with whom I had gone to acting school.) She had an engagement of several years at a Greenwich Village club called The Cookery, where I caught her act sometime in 1977 or 1978. She sang one of her signature tunes, "My Castle's Rockin'," which she sings in this recording from a few years later: Here's a recording of the same song that I imagine she made in the 1930s: I loved her.