Jump to content

Search the Community

Showing results for tags '1980'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Actualités
    • Members and Guests Please Read This
  • Restaurants, Tourism, and Hotels - USA
    • Washington DC Restaurants and Dining
    • Philadelphia Restaurants and Dining
    • New York City Restaurants and Dining
    • Los Angeles Restaurants and Dining
    • San Francisco Restaurants and Dining
    • Houston Restaurants and Dining
    • Baltimore and Annapolis Restaurants and Dining
  • Restaurants, Tourism, and Hotels - International
    • London Restaurants and Dining
    • Paris Restaurants and Dining
  • Shopping and News, Cooking and Booze, Parties and Fun, Travel and Sun
    • Shopping and Cooking
    • News and Media
    • Fine Arts And Their Variants
    • Events and Gatherings
    • Beer, Wine, and Cocktails
    • The Intrepid Traveler
  • Marketplace
    • Professionals and Businesses
    • Catering and Special Events
    • Jobs and Employment
  • The Portal
    • Open Forum - No Topic Is Off-Limits

Calendars

There are no results to display.

Categories

  • Los Angeles
    • Northridge
    • Westside
    • Sawtelle
    • Beverly Grove
    • West Hollywood
    • Hancock Park
    • Hollywood
    • Mid
    • Koreatown
    • Los Feliz
    • Silver Lake
    • Westlake
    • Echo Park
    • Downtown
    • Southwest (Convention Center, Staples Center, L.A. Live Complex)
    • Financial District
    • Little Tokyo
    • Arts District
    • Chinatown
    • Venice
    • LAX
    • Southeast Los Angeles
    • Watts
    • Glendale
    • Pasadena
    • Century City
    • Beverly Hills
    • San Gabriel
    • Temple City
    • Santa Monica
    • Culver City
    • Manhattan Beach
    • Thousand Oaks
    • Anaheim
    • Riverside
    • Palm Springs
    • Barbecue
    • Breakfast
    • Chinese
    • Cuban
    • Diners
    • Food Trucks
    • Hamburgers
    • Korean
    • Mexican (and Tex
    • Taiwanese
    • Thai

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Interests


Location

Found 16 results

  1. In doing research for the 1970 World Series, I learned that Emmett Ashford was the first black umpire ever to officiate a World Series Game (I've updated my post about Game One of the World Series to reflect this fact.) Not only that, Ashford was the first black umpire ever to be in Major League Baseball - working from 1966-1970. Feb 7, 2011 - "Ashford Broke Barriers behind a Mask" by Danny Wild on milb.com (note milb, not mlb) Incredibly, Chuck Meriwether became the second black umpire in the American League - in 1993. In 2008, the donrockwell.com community was three-years old, and Barack Obama won the Presidential election. That same year, a pair of black umpires would work a major-league game for the first time. When I was younger, I thought affirmative action was demeaning and unnecessary; I could not have been more wrong. How is Emmett Ashford *not* in the Baseball Hall of Fame? Oct 10, 2009 - "Chapman Students Want Black Ump in Hall of Fame" by Doug Irving on ocregister.com
  2. SPOILERS THROUGHOUT Do Not Read Unless You've Seen The Film Rather than analyze this great and tragic movie, I will simply summarize the plot for those who need a reliable study guide. Please feel free to discuss any and all aspects, and I will chime in with as much depth as you'd like. On Amazon (not HD) 0:00-2:52 Credits, boxing by himself in ring, B&W 2:52-4:05 1964, NY City, Jake LaMotta (Middleweight World Champion 1949-1951, Robert de Niro, Best Actor winner), smartly dressed, improvising bad poetry (comedy routine) 4:05-7:42 1941, de Niro vs. Jimmy Reeves (Light Heavyweight World Champion 1939-1940, Floyd Anderson), LaMotta undefeated but behind on points, KOs Reeves at bell in 10th, but Ohio rules say Reeves wins on points (saved by the bell). Melée ensues. 7:42-8:26 1941, The Bronx, Joey LaMotta (brother, Joe Pesci, Best Supporting Actor winner) talks with mafia connection Salvy Batts (Frank Vincent) 8:26-9:45 Jake argues with his wife Irma LaMotta (Lori Anne Flax) about an overdone steak, and overturns a table 9:45-10:17 Joey and Sal (Salvy Batts) continue their heated discussion while strolling 10:17- 15:02 Jake, Irma, and Joey argue, Irma leaves, Jake asks Joey to hit him in the face multiple times which he eventually does to no avail (to prove (to himself) he can take a hit) 15:02-17:18 Jake and Joey (his sparring partner) spar in a gym, Sal and two friends walk in, Jake gets furious at the mafia being there and starts beating up Joey badly, the mafia is impressed and leaves, telling Jake "˜not to hurt himself.' 17:18- 20:35 Jake and Joey are at a public pool, the three mafia men are there talking with Vickie Bowman, to eventually become Vickie Lamotta (Cathy Moriarty, Best Supporting Actress nominee), a 15-year-old neighborhood girl, Joey insists she's a nice girl, he went out with her twice, but nothing happened even though he tried, Jake becomes enamored with her from afar. 20:35-21:30 Jake and Joey get dressed to the nines for a night on the town, to Irma's loud and profane protests 21:30-24:05 Jake and Joey walk into a jazz club, nominally a church dance, but quite jazz-bar-like and raucous, then leave shortly after arriving 24:05-31:25 The Courtship Scene, Jake and Joey drive to the swimming pool to see Vickie, Jake asks Vickie for a ride, takes her to play miniature golf, then takes her back to his father's apartment, a romance developing in subtle, nuanced tones 31:25-33:20 1943 in Detroit, Jake fights Sugar Ray Robinson, (World Welterweight Champion 1946-1951, 5-time World Middleweight Champion 1951-1960, Johnny Barnes) Jake pummels Robinson, and is awarded the fight on a decision, Robinson was now 40-1 and would end his career 5-1 against Jake 33:20-38:07 At Jake's father's apartment, Jake and Vickie were seconds away from lovemaking, although the viewer was sure it would happen, Jake then gets up and pours ice water on his privates, saying "I gotta fight Robinson" 38:07-39:40 1943 in Detroit, a new fight between Jake and Robinson, this time Robinson wins convincingly on decision 39:40-41:15 Post-fight tension and reflection in Jake's locker room 41:15- 43:50 1944-1947 - Montage of scenes (shocking the viewer by being the first color sequences in the film), including fights against Fritzie Zivic, José Basora, George Kochan, Jimmy Edgar, Bob Satterfield, Tommy Bell, Jake's wedding to Vickie, Joey's wedding to Lenora LaMotta (Theresa Soldana), and happy family scenes with children, three years duration in less than three minutes 43:50-49:30 1947, Jake's house on Pelham Parkway, The Bronx, Jake is furious at Joey that he weighs 168 pounds, and that he can't get down to the needed 155-pound weight, Jake starts becoming jealous of Vickie, and shows signs of needing to be in control 49:30-55:20 At the Copacabana Club, Jake is introduced to great applause, Vickie gets up and sees Sal and Jake is very jealous, the mob boss Tommy Como (Nicholas Colasanto) arrives and Vickie goes over to say an innocent hello, making Jake more jealous, this was the second longer (3:30+) scene in a row (the 1st time this has happened in the film) 55:20-57:00 At Jake's apartment, he wakens Vickie and asked her why she said Janiro (his upcoming opponent) had a "pretty face," he is showing signs of extreme jealousy and rage even though they haven't become manifest 57:00-58:20 1947 in New York, Jake fights Tony Janiro (Kevin Mahon) and beats him to a pulp, obviously enraged with jealousy, "He ain't pretty no more," Tommy Como says 58:20- 59:03 Jake working out in a sauna, being hectored to lose 4 pounds by his trainer, in the shortest scene thus far in the movie 59:03-63:02 Joey is in a nightclub, chatting with the mafia, he sees Vickie walk in a group which includes Sal, Joey pulls Vickie aside and berates her, she complains that she's in a sexless marriage, Joey throws a drink on Sal, who pursues him outside, Joey starts beating him, and in the melee forming outside, beats him badly 63:02-66:30 Coffee at the Debonair Social Club at a table including Joey, Sal, and a lecturing Tommy Como who insists the two shake hands, Sal walks out and Tommy lectures Joey about Jake becoming an embarrassment, 66:30-68:10 Joey meets Jake at the swimming pool where he met Vickie, he said he wants to catch her in the act just once, Joey informs him he gets a shot at the title, but only if he first flops in an upcoming fight 68:10-68:22 Weigh-in between Billy Fox (Eddie Mustafa Muhammad) and Jake 68:22-69:13 Jake and Joey meet in an underground tunnel with a mobster who said he heard Jake was going to flop, Jake assured him it wasn't going to happen 69:13-71:28 1947 in New York, Jake fights Billy Fox, lots of mafia there, Jake clocks Billy then lets him off the hook, Jake is purposely taking a beating in round 4, lets himself get TKO'd 71:28-72:18 Jake breaks down crying in the locker room in disgrace for throwing the fight 72:18-73:36 Headline: "Board Suspends LaMotta," at Jake's apartment, Joey is trying to justify Jake throwing the fight, Jake cannot justify it in his mind, Jake and Joey eat Chinese carryout, Joey assures him he'll get his title match for throwing the fight 73:36-78:20 1949 in Detroit, Jake vs. Marcel Cerdan (World Middleweight Champion, 1948-1949, Louis Raftis), the LaMottas are discussing things in their room, it's a stadium fight and it's raining, they order food, Tommy stops by the room, Jake gets furious when Vickie kisses him goodbye on the lips, Jake is disgusted with Vickie and with Joey for sticking up for her, 78:20-82:07 Jake finishes warming up on Joey's mid-section, walks out to ring to great applause, Jake winning on points, Cerdan can't answer the bell in Round 10, Jake wins the World Middleweight Championship for the first time in his life 82:07-90:50 1950, Jake's apartment on Pelham Parkway in The Bronx, Jake gets angry at Joey for kissing Vickie on the mouth, Joey chides Jake for eating and drinking too much and gaining weight, Jake asks Joey what happened when he beat up Sal, Jake suspects there was an affair between Sal and Vickie, Jake works himself into a frenzy, he accuses Joey - completely without merit - of "fucking Vickie, Joey walks out, Jake goes upstairs to find Vickie making the bed, he accuses her of fucking his brother, she locks herself in the bathroom, Vickie finally taunts him after being smacked around, Jake storms outside, the longest scene in the film so far 90:50-91:04 Vickie pursues him outside, he shoves her on the ground 91:04-91:55 At Joey's dinner table, Jake enters (followed by Vickie), and pummels Joey for "fucking his wife," nobody can stop him, he beats him in front of his children, everyone is helpless 91:55-93:55 Jake is home alone, Vickie walks in and starts packing, Jake (in classic wife-beater fashion) asks her not to leave and woos her, incredibly, she stops packing and puts her arms around him 93:55-95:03 1950 in Detroit, Jake vs. Laurent Dauthuille (Johnny Turner), Jake plays possum and is losing in the 15th round, then unleashes a furious onslaught and KOs Dauthuille 95:03-97:06 In the locker room after the shower, Vickie talks Jake into calling Joey to apologize, he does, but can't bring himself to say anything when Joey answers 97:06-101:34 1951 in Chicago, the 6th and final fight against Sugar Ray Robinson, the famous "St. Valentine's Day Massacre" fight, Jake is pummeled in the 13th round into a TKO, but never leaves his feet, he taunts Sugar Ray, seemingly placing more importance in Ray's inability to knock him down than winning the fight, amazingly, this was Ray's first world championship 101:34-102:50 1956 in Miami, Jake (notably larger), Vickie, and their 3 children are relaxing by their pool being interviewed about his retirement, he mentions he just bought a nightclub 102:50-109:26 The neon lights of "Jake LaMotta's" nightclub are lit up, Jake grabs a microphone, and yucks it up with the patrons, clearly trying his hand at stand-up comedy, he mentions he and Vickie will soon be celebrating their 11th wedding anniversary, Jake nevertheless starts kissing young girls in his nightclub, Jake is told his wife is waiting outside for him 109:26-110:30 Jake walks outside to meet Vickie, it's broad daylight, she's in her car and tells him she's leaving him, she's taking custody of the kids, and if he shows his face she'll call the cops on him, she comes across as quite resolute 110:30-112:10 Jake, remarkably fatter, is woken up by two DA agents, the "young girls" in his club were 14 years old, they say they're taking him downtown 112:10-113:07 Jake knocks on Vickie's door, saying he has to get one thing, he goes after his championship belt, and starts hammering off the precious metal, making a lot of noise, 113:07-113:39 Jake at a pawn shop, trying to sell the jewels from the belt; the dealer wants the belt itself, he gets offered $1,500 but wants $2,000, he refuses and leaves 113:39-113:59 On a pay phone outside the jeweler, saying "I can't raise the $10,000." 113:59-117:00 1957 in the Dade County Stockade, forcibly led into a cell by two men, he contemplates things in his dark jail cell, and begins pounding his head against the wall, begins punching the wall, saying, Why? Why?! Why?!!, a very sad, total meltdown, he might have killed himself if he had a gun 117:00-118:26 1958 in New York City, Jake telling stand-up, he gets heckled, and challenges the heckler, it doesn't escalate, Jake introduces the next act, Emma 118:26-121:03 Jake leaves with Emma, and puts her in a cab after he sees Joey closing up his shop, he pursues Joey trying to make up, he tries to apologize, Italian-style with kisses, Joey tells him "later," this is not the right place, then gets in his car 121:03-123:55 Barbizon Plaza, a sandwich sign says, "An Evening of Jake LaMotta featuring the works of Paddy Chayefsky, Rod Serling, Shakespeare, Budd Schulberg, Tennessee Williams - Tonight," he's rehearsing in the dressing room, smoking a cigar, "Go get "˜em, champ," he says to himself, before going on stage, before shadowboxing in the mirror several times, you can tell he wants those days back badly 123:55-124:45 The text appears on the screen, one line at a time, in black and white: "So, for the second time [the Pharisees] summoned the man who had been blind and said: "Speak the truth before God. We know this fellow is a sinner." "Whether or not he is a sinner, I do not know," the man replied. "All I know is this: once I was blind and now I can see." John IX. 24-26 the New English Bible Remembering Haig P. Manoogian, teacher. May 23, 1916-May 26-1980 With Love and resolution, Marty. 124:45-129:04 Closing credits A magnificent film. I won't usually take this type of notes while watching films because it's a brutal amount of work, and detracts immensely from the enjoyment of the film, but in this case, I'm glad I did because I feel like I really know it well now.
  3. Albert Pujols might be one of those all time greats whose historical stats might take a "hit": specifically his batting average. Just checked him out. As of last year his career average is .302. For the Cards during his first 11 years his average was .320. Over the last 7 years for the Angels his average is .260 and it keeps trending downward. He is one of those few players over time that I like to watch from time to time. During his first decade his hitting exploits rivaled that of the greatest players in history. Injuries, age, and advanced defensive alignments are combining to turn him into one of the most overpaid, under performing players in the game. (Nevertheless I still like watching him) Check back on this in a year or two. Pujols might drop out of that impressive group of players.
  4. I didn't realize that I'd only seen "The Shining" start-to-finish one time, but I saw it again yesterday. Disclosures: I'm very much of a Stanley Kubrick fan, and I think Stephen King is "good but not great," as he writes a little too much for the masses, for my taste. "The Shining" is a long film, with some very good moments, but it's also a drawn-out film, with some very bad moments. I wonder if there's anyone out there who truly loves this film, and everything about it. I could list probably a dozen things about this movie that I strongly disliked, but taken as a whole, it's a good horror film when you factor in everything. One fundamental thing I didn't like was the introduction of the two, competing, otherworldly powers which have no explanation - I don't need to be spoon-fed explanations for the supernatural, but personifying evil through the silly ex-caretaker, Delbert Grady (Philip Stone, who played Alex's father in Kubrick's "A Clockwork Orange") was a bit much. There are other things that I found annoying ("Redrum," for example), but I don't want to sit here and rattle them all off. I liked, didn't love, "The Shining," but without taking inventory, my guess is that I'd put it in the bottom half of all Kubrick films I've seen up until now. I know this is supposedly an "intellectual" film, and I'm sure that repeated viewings would reveal additional layers and nuances. --- Room 237 (DonRocks)
  5. If you are a progressive rock lover, and if you have never listened to "In The Dead Of Night" by U.K., it will blow your mind. Highly recommended. Lightning in a bottle. "In The Dead Of Night":
  6. I wouldn't be surprised if it returns to Hains Point now that it would have an active audience to water taxi over from the Wharf.
  7. If you enjoy a Louis CK-style of standup, you might enjoy Rory Scovel, who has recently come out with a Netflix special called "Rory Scovel Tries Stand-Up for the First Time." If you aren't familiar with Scovel (I doubt this is his first-ever stand-up, despite the name), he's a solid, somewhat unorthodox, talent whom I would put in the second tier behind the best-of-the-best. This is not to say that he isn't funny - there were moments in this routine that were laugh-out-loud funny - merely that this probably won't be "The Best" stand-up special you've ever seen. Still, I found it well-worth watching. He is absolutely influenced by Louis CK, but his humor, while extremely crude, doesn't quite hit the border of "inappropriate" (CK's bit about pedophilia shocked even me). Still, Scovel isn't afraid to make jokes using topics such as genocide, anal sex, etc. - he isn't crude for crude's sake, but he is often crude, so if that offends you, be forewarned. I enjoyed this special, and can recommend it to others - not as anything ground-breaking, but as good, solid, stand-up comedy.
  8. "Newspaper Headlines: Mugabe's 'Fall from Grace' in Zimbabwe" on bbc.com Robert Mugabe, considered by many to be a dictator, has ruled for 37 years.
  9. Considering how many threads we have on both our Film Forum and our Television Forum by the Master of Suspense, the great Alfred Hitchcock, it's absurd that he doesn't have his own thread. To date, we have threads for: 1927 - "The Lodger - a Story of the London Fog" - (Ivor Novello) 1934 - "The Man Who Knew Too Much" - (Leslie Banks, Edna Best, Peter Lorre) 1940 - "Rebecca" (Laurence Olivier, Joan Fontaine) 1941 - "Suspicion" - (Cary Grant, Joan Fontaine) 1943 - "Shadow of a Doubt" - (Joseph Cotten) 1946 - "Notorious" - (Cary Grant, Ingrid Bergman, Claude Rains) 1948 - "Rope" - (James Stewart) 1954 - "Rear Window" - (James Stewart, Grace Kelly) 1955 - "To Catch a Thief" - (Cary Grant, Grace Kelly) 1956 - "The Wrong Man" - (Henry Fonda) 1956 - "The Man Who Knew Too Much" - (James Stewart, Doris Day) 1958 - "Vertigo" - (James Stewart, Kim Novak) 1960 - "Psycho" - (Anthony Perkins, Vera Miles, John Gavin, Janet Leigh) 1963 - "The Birds" (Rod Taylor, Tippi Hendren) 1964 - "Marnie" - (Sean Connery, Tippi Hedren) 1955-1962 - "Alfred Hitchcock Presents" (very much of a work in progress) 1962-1965 - "The Alfred Hitchcock Hour" (this thread will be split into two one day) 2015 - "Hitchcock/Truffaut" (Documentary about the 1962 interview between the two directors) And, for your amusement: Alfred Hitchcock, Lee Meriwether (Miss America 1955!), and two other guests on "What's My Line?"
  10. I had never before seen "Ordinary People," a quadruple Oscar winner for 1980 which included the award for Best Picture. This was Timothy Hutton's first major role, and because of that, he was nominated for (and won) the Academy Award for Best Supporting Actor even though, in my mind, he clearly had the lead role in this film. I'm not sure how nominees are made, but perhaps it's the motion-picture companies that submit entrants to the Academy for consideration, and Paramount neither billed, nor perhaps nominated, Timothy Hutton as a lead actor due to his inexperience - while Donald Sutherland was extremely strong, it was Hutton who made this film what it was. Mary Tyler Moore, to me, will always be Laura Petrie, and to some, she will always be Mary Richards, both slightly neurotic, but lovable, characters in polar opposite roles (the former, a homemaker; the latter, a career-oriented woman) - but in both cases, slightly neurotic and intentionally a bit silly. I have since seen her in two major roles in motion pictures ("Thoroughly Modern Millie" and now "Ordinary People"), and in both roles, she seemed completely out of her element - yes, she's typecast to me, and there's nothing I can do about it, just as Leonard Nimoy will always be Spock, and therein lies the difference between "bias" and "prejudice" - prejudice is something that is much, much more difficult to overcome, and goes deeper than a simple "preconceived notion." The music in Ordinary People was "composed" (more appropriately, "arranged") by Marvin Hamlisch, and aside from an extremely astute and clever use of Pachelbel's Canon, which clearly represented Timothy Hutton and Friends reliving the same agonies over, and over again, without a logical endpoint, there wasn't much "there" there - in fact, there was a particularly cloying violin solo during a sad moment to which I said, aloud, "They can lose the violin anytime now." Ordinary People is a great movie - whether or not it merits being named "Best Picture" is up for debate, as two of its competitors were, in my mind, *clearly* superior films: "Elephant Man" and "Raging Bull," both of which were not just "great," but transcendent.
  11. I thought I'd seen "Brubaker," and perhaps I did, because there are individual scenes I clearly remember. However, in seeing this movie again today, I thought it was much more boring than it should have been - it's a good story on paper, but actually watching it just wasn't very fun. Brubaker isn't a "bad" movie; but given its star power, and the fact that it took itself so deadly seriously, it should have been better. One thing I learned is about the Trusty System, which, yay, educated me and made me a better person. Yippee, get me a beer. This is beautiful cinematography:
  12. The record label Analog Africa, which specializes in out-of-print music from Africa and Latin America from the 1960s and 1970s, has released 1973-1980, an anthology of the 10 songs recorded by Amara ToureÌ during the 1970s. ToureÌ is an afro-cuban percussionist and singer form Guinée Conakry who played with bands in Senegal, Cameroon, and Gabon. After 1980, ToureÌ's recording career was over. Apparently he returned to Cameroon, but little is known about what happened to him. The music is smoky, groovy, jazzy: listening to this music just transports you to some hot, sultry, nightclub cafe serving strong cocktails. Lamento Cubano
  13. I've sort of run out of steam with the 20th-century chanteuses I was highlighting. Lots and lots of recordings to listen to, of course, but not a lot of my favorite female jazz singers I haven't posted about at least once. So what about the great rock-n-roll singers? I find that almost all of them were men. I'm setting aside R&B and soul singers, like Aretha Franklin, one of the greatest singers of the 20th century (to anyone with any discernment), and ditto James Brown, say, or Otis Redding. It's not a matter of race: Little Richard and Chuck Berry, along with Jimi Hendrix and others, certainly inhabited the world of rock-n-roll, but it became more and more dominated by white artists as time went by in the 50s and into the 60s, and the only black rock-n-roll singer whose star shines in the highest firmament to me is Little Richard, of whom more later. The prominent female rock singers, like Grace Slick and Janis Joplin, are largely over-rated, in my view. Joplin might have become a really great singer, but her career was so terribly short. Probably my favorite female rocker is Marianne Faithfull, but it's hard to put her in the same category as the greatest male r-n-r singers, such as John Lennon. Charlie Pierce famously maintains that the only wrong answer to "what's your favorite Beatles song?" is "Revolution Number 9", a point of view I'm in sympathy with, but can't agree with in the detail. "Revolution Number 9" isn't a song, but there are songs from the white album that are wrong answers: "Piggies" and "Oh-bla-di", for example. But the white album also includes much of John Lennon's best work with the Beatles. Not just his best writing, but his best singing. Take as an extravagantly great example one of my very favorite Beatles songs, probably not well known to generations younger than mine, but which features one of John's most wonderful vocal performances, among other things - "Everybody's Got Something to Hide Except Me and My Monkey" (1968): I loved him as if I knew him.
  14. Another baseball icon departed us -- RIP Minnie Minoso. We're not entirely clear about his age....he is considered the only ballplayer to have played in five different decades. He was Mr. White Sox like Ernie Banks, who died six weeks ago, was Mr. Cub. Please Lord, let's not allow this streak to continue....Yogi Berra is on the clock.
×
×
  • Create New...