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Showing results for tags '1990'.
Found 14 results
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Jeff Allen is an Offensive Lineman for the Kansas City Chiefs, and played college football at the University of Illinois at Urbana-Champaign. -
Well, why not. Guess who is the very first person shown in the television series, "The Time Tunnel?" And I'm talking about the first 5 seconds of SE1 EP1?
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Apr 13, 2015 - "Jean-Paul Goude: Magician of the Image" on marjoleinlammertsvanbueren.com
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I'm not a big fan of violent gangster films - Bonnie and Clyde started it all in 1967, and it continued to "go downhill" (that's my own personal term) during the next 40-50 years, finally having reached its basal conclusion with as much graphic violence as the CGI staff has time to program. I don't like anything by Quentin Tarantino (not Pulp Fiction, not Reservoir Dogs, not anything), but I do enjoy several works by Martin Scorsese, in a "guilty pleasure" sort of way. In theory non-fiction, as it reflects Lucchese crime family associate Henry Hill - who narrates the film - I suppose it reflects real-world violence, and is, in that sense, "important." Looking back, it's hard to believe that this film was made on a $25 million budget in 1990, and brought in $47 million at the box office as recently as 1990 - a success, sure, but not a blockbuster given how famous the movie is. Roger Ebert named it, "The best mob movie ever," and GoodFellas is #94 on AFI's "100 Years, 100 Movies" list. There's no doubt about it: It's famous.
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I don't care what people say about Robert Griffin III being a "bust" - he was a *great* athlete and college football player, whose career was basically ended because he wasn't properly trained to play in the NFL, and because he was left in a game when he was so badly injured that he could barely walk. When I first saw Griffin's highlight video coming out of Baylor, I could not believe the things I was seeing: plays such as Griffin running to his left, then stopping on a dime and throwing a 50-yard laser cross-field to a receiver sprinting down the *right* sideline for a touchdown. During his rookie season with the Redskins, even his detractors grudgingly came around to admitting that this kid was phenomenal, and two-thirds of the way through the season, there wasn't merely unanimous accord about him being the Rookie of the Year, but also serious talk about him being the NFL MVP. Yet, there was that college-style game he was playing - the equivalent of storming the enemy without wearing a bullet-proof vest, and the Redskins were doing nothing to help him transition from a college-style game to become more of an NFL pocket passer, because he was taking them to the playoffs and they were thinking short-term. Griffin's career-ending injury occurred when he was left in the game with an injury so obviously severe that everyone could see it - the announcers were incredulous - and the next play would essentially be his final one in the NFL. A superstar done in by being rushed along and not coached into becoming an NFL player who could survive in the long-term. Maybe so, but he'll always have *my* respect, and I hope he has a lifetime of happiness with his millions of dollars, even though he'll never have the Hall of Fame career which was his for the taking. And it's absolutely *not* his fault - he was a *kid* who only knew one speed: overdrive, and it was the coaches' job to reign him in, to develop him, and to protect him. Look at what the Nationals did in 2012 when they had the best record in the National League, and Stephen Strasburg hit his (arbitrary) "maximum pitch count" before the season was over - why didn't they bench Strasburg *before* he hit that pitch count so that they could use him in the playoffs? I have never heard a satisfactory explanation to this confounding decision when Strasburg was showing *no* signs of physical problems. Whatever their rationale, they chose not to save Strasburg even when it was obvious they'd make the playoffs without him, and then they lost to the Cardinals in the National League Division Series, 3 games to 2. Would Strasburg have made a difference in a five-game series? What the hell do you think? If the Redskins had given Griffin one-tenth of the protection that the Nationals gave Strasburg, we might have a superstar quarterback leading us to the playoffs right now, year after year; instead, we have someone who was made into a scapegoat for the Redskins' stupidity, and is wrongly and unfairly called "one of the biggest busts in NFL draft history." RG3: World-class athlete, Hall of Fame potential, the definition of class when he was forced to go an entire season without taking a single snap, and no more of a bust than Bo Jackson.
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Trevante Rhodes won a Gold Medal for the USA in the 2009 Pan-American Junior Athletics Championships in the 4 x 100 Relay. A multi-sport athlete at Little Elm HS, he earned a scholarship to the University of Texas, and has since become, arguably, Little Elm's most famous alumnus, along with NFL player Cole Beasley.
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"NFL Star Marquise Goodwin and Wife Open Up about Losing Their Baby Boy" on cbsnews.com
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Wow, you will simply not believe who makes a cameo (via photograph) in the very first sketch of Season 1, Episode 1. (You have to watch at least up until "Slick Johnson" (less than ten minutes)).
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I'll admit it, Joe: "Roadhouse" (1989) is a guilty pleasure of mine. This was right around Patrick Swayze's prime, and as much derision as "Ghost gets from serious moviegoers, it was released just a year after "Roadhouse," and with a beautiful Demi Moore (I had forgotten how pretty she was), a surprisingly important role by Whoopi Goldberg, and Tony Goldwyn's perfect rendition of a slime-maggot, this annoyingly cloying rom-com had four strong parts. Even the murderer, Willie Lopez (Rick Aviles) was very well-played - this was a solid ensemble: I can see people being wildly irritated by the film, but does anyone have problems with its cast? Yes, I saw "Ghost" last night. I had just seen "Django Unchained" for some "mindless escapism" from a stressful week, and it was about as relaxing as visiting the U.S. Holocaust Museum - I needed escapism from my escapism. I didn't honestly think I'd watch more than ten minutes of the film, but I just kept watching, and before I knew it, I was well into it - I'd seen it once before in full, in the theater when it came out, so it had been over twenty-five years. With "Dirty Dancing" in 1987, "Sleepless in Seattle" (1993), "Pretty Woman" (1990), "When Harry Met Sally" (1989), "Groundhog Day" (1993), and numerous others, "Ghost" was dead-center in the tenderloin years of the saccharine rom-com (please forgive me for using that term, which is nearly as cloying as the movies are). The late 1980's and early 1990's had some major investment in these films, and they were immensely popular - for no good reason, I will add; meh, they're mindless entertainment, and sometimes you just need that, you know? There's very little point in rehashing the plot, or commenting on much of anything. I had completely forgotten what a major role Whoopi Goldberg played (and didn't realize she won an Academy Award for Best Supporting Actress). The demons are legitimately scary if you aren't ready for them - I had forgotten how disturbing they were. And I thought the acting was really good, pretty much all the way around - Patrick Swayze's look of sympathy when Carl died was incredibly convincing, for example, and he sustained it, completely setting aside what a first-class *jerk* the guy was, and knowing full well that he had an eternity of suffering ahead of him. You know what? Laugh at me if you will, but I think this movie is sweet. I don't love it, but I like it. That probably ratchets me down a few notches as a "film critic," but I'm not a film critic, so that's okay. Now, as to it's insane popularity, well, I guess I can see how it can appeal to the masses - in fact, sure I can. But for anyone to think this is more than "sweet," "well-acted," and "touching" would be a little bit much for me - those adjectives are about as much as I can muster, and if someone were to dismiss it entirely - in much the same way that theater critics dismissed "Cats," I could perfectly well understand. I might even say, "Ditto." I feel no need to watch this again anytime soon, but I have no regrets seeing it a second time. Thumbs up. Three stars. A solid "B"." A perfect date movie with a feel-good ending. It was my "mindless escapism," and it served its purpose - mock me if you wish, I will understand. And I think the "Get Off My Train!" scene with Vincent Schiavelli was excellent. *** SPOILER *** Why do I feel like I just wrote a positive review of Graffiato?
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- Romantic Comedy
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It took all the strength I could muster to start a thread on Matthew Dellavedova, but I just found this: 01/18/16 - "Cavs' Matthew Dellavedova Voted NBA's Dirtiest Player in L.A. Times' Poll" by Ricky Doyle on nesn.com Anyone who thinks Dellavedova is "accidentally dirty," as one coach said in that article, didn't watch the game I saw.
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I recently picked up the DVDs (including the incredible Dead Dog Records arc on iOffer) of my favorite TV series of my youth, and am amazed of how well it has held up. Ken Wahl was the eye candy of the series, but flanked by an incredible Jonathan Banks throughout the series and featuring some amazing actors thru the series: Sonny Steelgrave arc: Ray Sharkey, Eric Christmas, Annette Bening, plus the songs "Good Lovin'" and "Nights in White Satin" featured in the finale when first aired Mel Profitt arc (the first incestuous brother/sister relationship I recall on TV, now a fairly hackneyed conceit): William Russ, Kevin Spacey, Joan Severance (who "awakened" me as a teenage boy) White Supremacy arc: Fred Thompson, Paul Guifoyle Garment Trade arc: Jerry Lewis, Ron Silver, Stanley Tucci, Joan Chen Dead Dog Records arc (amazing, and not commercially available due to all the great music featured): Tim Curry, Patti D'Arbanville, Glenn Frey, Deidre Hall, Debbie Harry, Paul Winfield, Mick Fleetwood, Deidre Hall -
I don't know squat about music theory and obviously can't address your question. But Leonard Bernstein was wonderful. -
Okay, one more 20th-century chanteuse, Sarah Vaughan, who had one of the great voices of the century, which can be mentioned in the same breath with, say, Janet Baker. Here she is in 1954, with the phenomenal horn player Clifford Brown, singing "It's Crazy":
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Bo knows the new guys. "Magee Enjoying Tryout With Red Sox" by Rick Weber on espn.go.com "Brandon Magee Gets Advice From Bo Jackson" by Mike Florio on profootballtalk.nbcsports.com
