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Showing results for tags 'Academy Award - Best Actress'.
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"Sunrise: The Story of Two Humans" was not only the first major film of Karl Struss, but it also featured the first winner of the Academy Award for Best Actress (Janet Gaynor). The 1st Academy Awards had separate categories for Best Picture ("Wings") and Best Unique & Artistic Picture, and this film won the latter. Have a look at our extensive Film Index, and see which movies you've missed out on. -
In the process of watching "Who's Afraid of Virginia Woolfe" for the second time,
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I knew nothing at all about "Black Swan" before watching it, other than glancing that it was a Best Picture Nominee in 2010 - one of only a handful of horror films to be nominated for Best Picture (*) - that was good enough to attract my attention. To be honest, although I knew the name Natalie Portman very well, I don't think I'd ever seen her before - she won an Academy Award for Best Actress in "Black Swan," and it seemed reasonable that she was at least nominated (although this is certainly not one of the most memorable performances I've seen). One problem for the viewer in this film is that there are several divas at work here, and they all look a lot alike - yes, even a 39-year-old Winona Ryder. I understand that ballerinas are largely cut from the same mold, but it would have been nice to help the viewer visually - maybe with an actress of color? For example, I'm *still* not quite sure to whom, early in the film, Nina mistakenly said, "Congratulations," thinking that she (Nina) had lost the part to this other ballerina - Nina was wrong, of course, and the other ballerina furiously came back and dressed her down. Was that Lily? (Mila Kunis?) I don't *think* it was, but I wasn't familiar enough with the characters to be sure - whomever it was, it was *extremely* out of character for Nina not to have hunted her down and apologized profusely, which she never did. I've never seen "Swan Lake," so I was pleased to get a little synopsis of the plot. That said, I suspect there are ballet aficionados out there who loathe this film, for various reasons - refer to "Shine" and piano, which I detest with every fiber of my being. Writing this a day later, I'm already forgetting aspects of this film - I suspect that a year from now, I'll remember almost nothing about it, which may say more about me than the movie. Still, this was not an unforgettable motion picture experience. I wish I had a vote for the Academy Awards - it wouldn't change much (one vote never does), but it would at least be a fair, intelligent vote that isn't wasted. (*) It should be noted that, of the six "horror" films to be nominated for Best Picture, only three are pure horror films: "The Exorcist," "The Sixth Sense," and "Get Out." The other three, "Jaws," "Silence of the Lambs," and "Black Swan" are either thrillers, or (in the case of "Black Swan") psychological dramas.
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Wow, I'm almost certain I've seen the ending of "Silver Linings Playbook" before, but I'm also certain that I've never seen the entire film. Despite its spicy language, this is a somewhat classic, old-fashioned, rom-com - chock full of star power, and Jennifer Lawrence's vehicle for her first Best Actress Oscar. It's important to me that I see films "like this," but not for the reasons you may think: Although I'd heard the name "Jennifer Lawrence" a zillion times before, I didn't have the faintest idea who she was (I wouldn't have even been sure if she was a singer or an actress), and watching movies like this are the only way I can keep up with popular culture. The casting of this film was very star-heavy and strong, and there really wasn't a weakness in the entire ensemble that I can think of. That said, despite its "mental illness" twist, "Silver Linings Playbook" is a formulaic rom-com, and absent the language and some of the subject matter, could have been made with Cary Grant and Rosalind Russell (although you'd need to substitute "rapid-fire dialogue" for "subtle facial expressions"). I found the film charming, if perhaps twenty minutes too long, and everyone gets to walk out of the theater happy and carefree. Given that this is an almost stereotypical rom-com, what more could you ask for? (Other than, of course, eight Academy Award nominations including the Big Five.) Peter Travers said this film was "crazy good"; I contend that while it's well-made, slick entertainment, it's "crazy for-the-masses."
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Not only have I never seen "Million Dollar Baby," I know nothing about it other than that it's a boxing movie directed by and starring Clint Eastwood and Hillary Swank, and won a Best Picture award - I didn't even know Morgan Freeman was in it until five minutes ago. This falls within that "post-Karen, pre-DR period" where I went a long time without seeing any movies. I spent many years, decades ago, being a student of film, but I let it slip because I got busy with other aspects of life - although I have a lot of catching up to do, it's coming back very, very quickly. Well, for once, I watched the entire film without writing any of the review during the movie - that's because it was so damned good that I didn't want to pry myself away from the film. This movie is a masterpiece, and not only must it surely be Clint Eastwood's finest directorial effort, but Eastwood also *composed the score*! I think that right now, he can take his place as the most important - or legendary - figure in all of Hollywood: He is our generation's version of the stereotypical Hollywood legend. "Million Dollar Baby" goes on my Top 10 List, or Top 20 List, or Top 5 List, or whatever number happens to resonate with me on a particular day. It's not a "boxing movie" any more than "Unforgiven" is a "western." I'm forcing myself to look at this without looking at any awards, but I do know it won Best Picture. I could also see it winning Best Actress, Best Supporting Actor, Best Director, Best Screenplay, and numerous others - in fact, I'd be surprised if it didn't. How much did this movie affect me? I want to hurry up and finish writing this review so I can see an interview with Hillary Swank about the film, just to know she's okay. *** SPOILER ALERT *** Going into the plot would be redundant and pointless. Just allow me to say that "Million Dollar Baby" is one of the finest films I've ever seen, and that it should be among the pantheon of all-time Hollywood greats. How can Clint Eastwood keep getting better-and-better as he keeps getting older-and-older? I enjoyed "Gran Torino," but that was at a whole other level. Note, however, that both films involve Eastwood coming to terms with religion, atoning for past sins, giving up his life for others, and presenting Catholic Priests - not as characters to be mocked, but as supportive figures, which he badly needs. It's as if Eastwood realizes he's approaching the end of life, and he's displaying all his foibles for us on the big screen. Make *sure* to see "Million Dollar Baby" at least once in your life; just do *not* be prepared to come away feeling the way you did after you saw "Rocky." This is one of the best films I've ever seen, but it's also one of the most depressing films I've ever seen, and it's not a "boxing" film per se. I have one question: When Maggie (Hillary Swank) fought for the title, why wasn't she awarded the bout? How is it possible that she wasn't? It would have been *so* much easier to take the ending had she only known that she was, ever so briefly, the champion of the world - which she rightly was.
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Having survived decades of verbal abuse, I am familiar with the term "gaslighting" as it is used to describe psychological manipulation designed to make a person doubt themself. It is impossible to read anything about Narcissistic personality disorder without seeing a section on gaslighting. While I was very familiar with the term, I never questioned why it was called that. I had NO idea this term came from a 1938 play, by the same name, on which this film is based. MINOR SPOILERS FOLLOW "Gaslight" is a brilliantly acted, beautifully directed film that stands the test of time. Ingrid Bergman is outstanding as the wife who is driven to think she is going insane by her controlling husband. She is radiant and so convincing as the happy young women whose life begins to spiral out of control. She won the Academy Award for Best Actress for this role, and I think it is well deserved. Her speech at the end of the film was the highlight for me. I didn't get up off of my couch and cheer, but I wanted to. Bergman's character, Paula, thinks she is going insane. One thing that makes her believe this is the way the gas lights dim each evening, even though there is no one in the house who could be dimming them. Charles Boyer is perfect as her charmingly sinister husband, and an 18-year old Angela Lansbury makes her film debut as the housemaid. If you are looking for this movie to stream online, don't get it confused with the 1940 British version with the same title. If you have lived with someone who has attempted to control or manipulate you, this film will resonate. If you haven't, you will still get swept up in the mystery and intrigue of a very well-crafted film noir.- 1 reply
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Since I recently watched "The Maltese Falcon," I decided to have a go at "Suspicion," both films being from 1941. The glass of milk scene was my favorite part of the film - it was Hitchcock at his best. *** MINOR SPOILER FOLLOWS *** I didn't realize until after the movie that Cary Grant's menace is developed by Hitchcock by never having him walking into a scene; he merely "appears" - I'm not sure if that hold true for the entire film, but apparently, it happens quite a bit. Grant's performance was terrific - both childish and increasingly creepy as the film progressed. Will he or won't he?
