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Showing results for tags 'Alma Reville'.
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Since I recently watched "The Maltese Falcon," I decided to have a go at "Suspicion," both films being from 1941. The glass of milk scene was my favorite part of the film - it was Hitchcock at his best. *** MINOR SPOILER FOLLOWS *** I didn't realize until after the movie that Cary Grant's menace is developed by Hitchcock by never having him walking into a scene; he merely "appears" - I'm not sure if that hold true for the entire film, but apparently, it happens quite a bit. Grant's performance was terrific - both childish and increasingly creepy as the film progressed. Will he or won't he?
I watched this film recently, and enjoyed it while at the same time, thought it didn't represent what I "normally" think about Alfred Hitchcock as a Director. A friend and I recently watched Hitchcock being interviewed, and he acknowledged (at that time) that this was his favorite film, and we figured out he was referring to "in terms of technical, cinematic aspects" - remember, this is the era of "Citizen Kane" (1941), which seems very dated, and in parts almost boring, but in the early 1940s, some of the cinematic devices used were groundbreaking, and Hitchcock was undoubtedly proud of incorporating modern cinematographic technique into "Shadow of a Doubt. I'd like to jump up-and-down, screaming, 'Watch 'Shadow of a Doubt!'", but I recommend this film for people wanting to peel a layer off of Hitchcock's media-bound reputation, helping to expose him for more of an avant-garde director than he's given credit for being - no, Hitchcock isn't avant-garde but the man wasn't some formulaic weaver of yarns, either - he had plenty of tricks up his sleeve, and used them.