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SPOILERS THROUGHOUT Do Not Read Unless You've Seen The Film Rather than analyze this great and tragic movie, I will simply summarize the plot for those who need a reliable study guide. Please feel free to discuss any and all aspects, and I will chime in with as much depth as you'd like. On Amazon (not HD) 0:00-2:52 Credits, boxing by himself in ring, B&W 2:52-4:05 1964, NY City, Jake LaMotta (Middleweight World Champion 1949-1951, Robert de Niro, Best Actor winner), smartly dressed, improvising bad poetry (comedy routine) 4:05-7:42 1941, de Niro vs. Jimmy R
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If you're offended by any discussion about religion - even when it's being discussed as a tangential issue - then please click out of this post now because this may offend you, and that is not my intent. Minor **SPOILERS** will follow: --- Last week, I finished reading the biography of the amazing Louis Zamperini, "Unbroken," written by Laura Hillenbrand - one of the best and most thoroughly researched biographies I've ever read. No, it's not perfect, and if you click on the title, you'll see we have the beginnings of a meaningful discussion about the book. This thread, and this
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I wasn't sure what to think about "Cobb" going into it: It was a box office flop, that was mildly acclaimed by critics, which is generally right up my alley; in this case, I think I knew *too* much about baseball to enjoy it as a "regular" film critic would - it was just not a good film. The film focuses on Ty Cobb's final year of life, during which a famous sportswriter (Al Stump) is writing a biography of him. After the film, I still don't know what to believe about Cobb: Was he *that* much of a hateful man, or was this overplayed? I don't know, but if this story was true, then Cobb was
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I saw this fine biography for the first time last night, and can recommend it wholeheartedly. Parts of it are dramatized (Pee Wee Reese's hug, Enos Slaughter's spiking, etc.), but for the most part, it's accurate and absolutely based in truth. There's something I've been meaning to write here for the past ten-or-so years, and this is as good a place as any (although I may have written it before). When the Rickey was named as DC's "official" drink in 2008, I wrote Chantal Tseng, and encouraged her to make a classic Rickey with a twig in it (perhaps a twig of Rosemary, or Thyme, or maybe ju
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"Lenny" (1974) - Directed by Bob Fosse (Academy Award Winner for Best Director of "Caberet," Academy Award Nominee for Best Director of "All That Jazz," Academy Award Nominee for Best Original Screenplay for "All That Jazz") Produced by Marvin Worth (Co-Producer of "Malcolm X") Written by Julian Berry (Co-Writer of "The River") Featuring Dustin Hoffman as Lenny Bruce (Academy Award Winner for Best Actor as Ted Kramer in "Kramer vs. Kramer" and as Raymond Babbitt in "Rain Man," Academy Award Nominee for Best Actor as Benjamin Braddock in "The Graduate," as Enrico Salvatore "Razzo"
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I remember my father taking me to see "Patton" in 1970, and being awestruck by the opening scene - the one where Patton comes and gives a speech in front of that *amazing* American flag - other than that, I remember it being really long! What a difference 47 years makes when it comes to seeing a film about the quirks and eccentricities of a WWII General. I'm not going to issue any spoilers, especially because this is all based on historical facts about the WWII North African Theater, and its three principles: Patton, Montgomery, and Rommel. Some historical facts which you should
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This probably isn't the best time to be watching "American Sniper," but I do get a childish pleasure out of Clint Eastwood films, and I make a mild effort to watch Best Picture Nominees, even though I realize that's hardly an arbiter of anything but notoriety. Still, it's 2:30 AM, I'm having a tremendous pain flare, and I guess I'm in a "misery loves company" mood, so ... Interestingly, my personal assistant attended Chris Kyle's funeral (long story, that one). I also feel that, since I'm never there, I learn something from war movies, although I realize I'm watching Hollywood, and n
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At nearly three hours in length, "Hoop Dreams" may seem like an arduous proposition, but it's going to be three of the fastest hours you've ever spent watching a film. I saw it on release in 1994, saw it a second time last night, and on both occasions, I was equally riveted. Steve James spent five years filming the lives of *** SPOILER ALERT *** William Gates and Arthur Agee, *** END SPOILER ALERT *** two promising 14-year-old basketball players from Chicago, and detailed the lives of these two amazing young men, their families, and their dreams of getting into the NBA. That's reall
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When I first heard that a film about David Foster Wallace was being made, I was thrilled. Then I began reading articles about how his widow did not support "The End of the Tour." In the articles, she speculated that Wallace, who disliked the spotlight, would not have wanted a film to be made about him. That made sense to me, so, on principle, I avoided seeing it. Several months later, when the movie came out on video, a friend who is a Wallace fan and one of the few people I know who has also read "Infinite Jest," urged me to see it. Curiosity got the better of me, so I decided to look fo
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I certainly take no pride in being the only restaurant-based website in the world that has two different threads dealing with Zoophilia, but so it is. Having watched - and, surprisingly, enjoyed - "Dolphin Lover," I took a morbid fascination in dracisk's comment: not because I care about Zoophilia, but because the film "Zoo" supposedly won an award at the 2007 Sundance Film Festival, which is an honor I trust *much* more than an Academy Award - although I can't find out what it won. It was also represented at the 2007 Cannes Film Festival (I understand that many of my film threads are "Ac
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Okay, I'm watching the end of Brian's Song for the first time since I was a kid. No, those things in my eyes aren't tears; my contact lenses are bothering me. A pretty endearingly funny line though: Piccolo is on the phone with Sayers after his second operation. "They told me you gave me a pint of blood yesterday - is it true?" Piccolo said. "Yeah," Sayers replied. "That explains it then." "Explains what?" "I've had this craving for chitlins' all day."
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It's amazing how little I know about Malcolm X, considering how concerned I am about civil rights, and how ticked off I am at my forefathers for the crimes against humanity they committed. I've never read "The Autobiography of Malcolm X," and don't have time to do it right now, so I figured this was a good, next-best thing, although being filtered through the lens of Spike Lee - who, as much as I like him, clearly has an agenda - you really don't know if you're getting the genuine product. It is with that large grain of salt in mind that I begin Lee's 1992 film, "Malcolm X." "Conk" is a w
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Matt (my son) saw Hamilton three weeks ago and *loved* it. It has been playing at the Richard Rodgers Theater since Aug, 2015 I tried to get him to explain it to me, and he kept saying, "You kind of have to just see it." All I know about it is that the set design and costumes were in period, but the music is something closer to hip-hop - it sounds fascinating.
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I'm sure many of you have cooked from Paula Wolfert's cookbooks, who was recently diagnosed with early-onset Alzheimer's. Now there is a kickstarter campaign to fund a biography and cookbook about her life. Participants in the project include, Emily Thelin (former editor at Food & Wine), cookbook author Andrea Nguyen, photographer Eric Wolfinger and designer Toni Tajima More information via Andrea Nguyen's food blog.
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When I was young, I saw Roots (1977) and Holocaust (1978), and they were both very hard on me, nearly impossible to finish. But I don't think any film or series has been more difficult for me to watch than 12 Years A Slave (2013). It took me two days to get through it, and I'm surprised I did (I simply cannot watch people being tortured, even if it's "just a movie.") SPOILERS Perhaps the most amazing thing about this film is that, for a couple of hours, it made *me* a slave. From the time Solomon Northup woke up in chains, up until the time when I was mercifully allowed to see Brad Pitt
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I'm writing this down primarily so I remember it in the future. It's a fine documentary, worth watching if you want to see a minimally manipulated interview with a man who claims to have killed over one-hundred people - not for sexual thrills, not for kicks, not for drugs, but for money: he was a paid hit-man. an independent contractor if you will. The documentary was culled together from seventeen hours of interview tapes with Richard Kuklinski in his maximum-security prison, and is elegant in its use of light touch, and for letting Kuklinski do most of the talking. It's not creepy, it's
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