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As I've been doing lately with these 2015 Academy Award nominees, I'm writing these posts as I watch the films on Amazon (using X-Ray to obtain some interesting trivia and factoids). So, as I write this about "The Big Short," I haven't even seen the opening credits. Note that Amazon gives you 30 days to begin watching your rental (which you can also cancel), but once you begin watching it, you only have 48 hours to finish - I guess this is reasonable to prevent multiple people from watching one film on one person's account, but sometimes I like to take a little longer - ah, well, compromises need to be made somewhere. Again, I recommend X-Ray for people interested in studying the film, but not for people who are easily distracted, as it could easily be a nuisance - you have your choice of pretending it's not there at all. *** SPOILERS ALERT *** You can probably assume that the rest of this post will contain various degrees of spoilers. I'll start by saying I *love* the film's opening quote by Mark Twain: "It ain't what you don't know that gets you into trouble. It's what you know for sure that just ain't so." While not entirely true, there is a ring of familiarity to it, I'm sure, affecting us all. Director Adam McKay was Head Writer for Saturday Night Live for two seasons, and has directed comedies in the past (e.g.. "Talladega Nights: The Ballad of Ricky Bobby," which I'm ashamed to say I found to be quite amusing), but this is his first dramatic directorial debut. This is also the first movie of any kind that McKay has directed without Will Ferrell in the cast, which is surprising, but I really don't know much about McKay. Ferrell also co-wrote all but one of McKay's comedies, so there's definitely a close partnership here. When Dr. Burry went into Goldman Sachs and said he wanted to short the housing market, the song playing in the background was "Money Maker" by Ludacris. You will find multiple, almost random, cameos by some seriously famous people, including one very famous chef. The quote, "Truth is like poetry. And most people fucking hate poetry," is great (and written just for this movie). Boy, if this film doesn't make you want to vote for Bernie Sanders, nothing will. Here are some stats flashed at the end: * 5 trillion dollars disappeared * 8 million jobs were lost * 6 million people lost their homes * And that's just in the United States * 1 person went to jail from Credit Suisse And look where we are today in 2016. I have very strong feelings about whether or not the economy should have "recovered" so quickly after "the worst financial disaster since The Great Depression," but that's for another time, another thread - I pretty much said all I have to say right here.
So, a friend of mine told me that if I didn't mind "Django Unchained," I wouldn't mind "Inglourious Basterds." I didn't mind it, and actually somewhat enjoyed it. Christoph Waltz, in both movies, is really good - there's a certain "Intellectual 'It Factor'" to his demeanor that makes him highly likable and highly unlikable at the same time, all the while being believable, even when in unbelievable situations. Didn't I just say something similar about Tom Cruise and "Jack Reacher?" As one example of me (or is it "my") not hating "Inglourious Basterds," I'm just not on the same page as this review: Aug 21, 2009 - "Review: 'Inglourious Basterds'" by Peter Rainer on csmonitor.com (Forget that it's the Christian Science Monitor - that is an intelligent publication that, yes, has it's biases, but is worth more than dumbed-down criticism for the masses. That said, I'm surprised that this review got a "non-rotten tomato" on rottentomatoes.com For those of you who didn't recognize the term "OSS" just before Hans Landa (Christoph Waltz) shouted "Bingo!" - I began this thread last year, and this is the first time I've heard the OSS mentioned since that day.. Had this fantasy been reality, there probably would have been no bombings of Hiroshima or Nagasaki, as all necessary personnel could have been diverted to the Pacific Theater.
I watched "The Departed" today, and while I loved the film, I'm a little surprised it won the 2007 Academy Award for Best Picture. It was an excellent, thrilling, double-twisting, head-scratching, mess-with-your-mind, crime thriller involving mirror-image good-and-evil juxtapositions that make you thankful you're watching it on video, since you're camped on the rewind button for half the movie. A great picture with mega, mega-stars? Yes! Best Picture of the year? Boy this must have been a very lean year, not that the Academy Awards are any arbiter of truth; still, I just don't see this as even being in the running, although the Academy has shocked me in the past with its mediocre winners. Don't get me wrong: It's an outstanding crime thriller which I really enjoyed; I'm just surprised so many critics thought so highly of it. How many films have you seen lately where Matt Damon is arguably the third-biggest draw, and where Alec Baldwin is perhaps the sixth-biggest? How much did they spend on salaries? I am very much in the minority in that I find Quentin Tarantino terribly overrated, and someone who relies far too much on excessive violence; this film clearly had a Tarantino-like influence over the far-superior Scorsese. Did he really need to make this such a bloodbath? Well, it added something, I suppose, and also like most audience members, I'm starting to become numb to gratuitous splatter films, so as long as movies aren't torture porn (and this didn't go that far) they've become socially accepted, and not even all that shocking which I think is a real shame.