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Showing results for tags 'Carter Burwell'.
Why hadn't I seen "No Country for Old Men" before ?! As entertainment, this was pretty darned intense, and very, very well-done. As art, I need to think about it some more, but I think there's a lot to extract from this film. I don't like the sudden, undramatic loss of the anti-protagonist, but there must be a reason for this.
And so I did, tonight for the third time. When I saw "Barton Fink" in the theater, I swore it was one of the greatest films I'd ever seen, but I didn't have the first idea *why* it was. Tonight, I still think it is, and only now do I fully realize just how much of this film I don't understand. As I type this, I'm partially finished with this piece, an important analysis of "Barton Fink" - "'Writers Come and Go': The Greatness of Barton Fink" by Eric S. Piotrowski on medium.com
Well, "The Big Lebowski" is another picture that nobody can believe I'd never seen before, but I hadn't (this, and "This Is Spinal Tap" were the two I'd really been wanting to watch for a long, long time). I was really getting into this film - a great comedy to be sure - when the terrorist attacks hit Nice, and pretty much ruined it for me. Still, that doesn't lessen the movie - Jeff Bridges is brilliant, and so is just about everybody else. I don't think I've ever seen a Coen Brothers film that I don't like - they are geniuses in the mold of Matt Groening. I'm not up for a big
*** MILD SPOILERS FOLLOW *** As a "companion pre-piece" to "No Country for Old Men" (2004) I watched (for the very first time) "Blood Simple" (1987), and I can sure see how one influenced the other. The difference being that "Blood Simple" is almost - perhaps is - a very, *very* dark comedy, in the tradition of Shakespeare's "Comedy of Errors," although "Comedy of Errors" is a farce, and "Blood Simple" is a carefully crafted, methodically worked, mistaken-assumption story that is so subtle that the audience, at times, also makes mistaken assumptions. I don't much care for the te