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  1. I decided to watch "Charade" tonight for a number of reasons. I recently watched "Suspicion," a 1941 thriller starring Cary Grant directed by Alfred Hitchcock. While "Charade" was not directed by Hitchcock, it has a Hitchcockian feel. I adore Carey Grant, and felt like spending another evening being charmed by this embodiment of the Hollywood leading man. I am obsessed with Audrey Hepburn, and I was born in 1963. It seemed like a no-brainer that I should give this film another viewing. Although I saw this film several years ago, I remembered very little of it. While Hitchcockian in style and plot twists, it lacks the cinematic magic of an actual Hitchcock film. The plot is a bit like "Suspicion," with the leading lady unsure whether she should or should not trust Grant. The witty banter between Hepburn and Grant made me think of Nick and Nora in "The Thin Man." Their repartee is amusing, but not nearly as fast and funny as Nick and Nora's. I enjoyed watching Grant and Hepburn together, and I was drawn in by the plot's twists and turns. At times, "Charade" seems self conscious, and the film feels like it is trying too hard. While Grant and Hepburn make a charming couple, their chemistry pales in comparison to the sparks that flew between Hepburn and Gregory Peck in "Roman Holiday." Hepburn tells Grant time and again in this film that she loves him. She never once uttered those words to Peck in "Roman Holiday," but their love seemed more believable. Perhaps this is because at its core, "Charade" is a silly and stylish movie. It has an early '60s feel throughout, from the opening cartoon-like credits to Audrey's oh-so-chic Givenchy wardrobe. It isn't a great film, but it is an enjoyable one.
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