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Showing results for tags 'Composer'.
Found 11 results
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"Poignant Ennio Morricone Street Art Appears in Rome, a Day after the Film Composer's Death" by Maddy Shaw Roberts on classicfm.com -
There is the artist, and then there is the man. The Little Tramp and the Refugees Who Loved, Then Loathed Him, by Dove Barbanel, December 29, 2017, on nytimes.com. -
I missed the passing of James Last. "Mr. Giant Man" has always been one of my favorite songs - dig the bass line at the end.
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Jean René Désiré Françaix is not a well-known 20th-century composer in the United States, but is the composer of one of the more difficult pieces in the clarinet repertoire: "Tema con Variazioni." I'm proud to say that my son, Matt, will be performing this as the opening piece in his solo recital early next year in Bloomington, Indiana, most likely Feb 27, 2017 (if anyone is interested in seeing it live on podcast, let me know, and I'll confirm the date, which, for now, is tentative). If anyone is interested in attending the recital, I'll be going out to Bloomington and can give you a ride. The great neo-Impressionist Maurice Ravel, wrote this to Francaix' parents: "Among the child's gifts I observe above all the most fruitful an artist can possess, that of curiosity: you must not stifle these precious gifts now or ever, or risk letting this young sensibility wither." There aren't many great recordings of this online, but this will at least give you an idea for the piece.
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I love Big Maybelle. I used to have a two-LP compilation of her work that was fantastic. I haven't heard it in probably 20 years (or more), but I recognize this track from it. Thanks for posting it. I must confess I don't remember ever hearing of Sid Wyche, so thanks for your research. Turns out he co-wrote the widely recorded standard "Well all right, okay, you win" and also the mischievous (to put it mildly) "(I Love to Play Your Piano) Baby Let Me Bang Your Box", first released by The Toppers in 1954: -
What I find incredible about this is that at 1:27, there is a very slight, almost imperceptible, mistake that nobody has probably even noticed before; yet, Spock gives a very slight, almost imperceptible, wince. Coincidence? I hate to piss on the party, but this music is not what Spock is playing. (But this is - it's by Ivan Ditmars.)
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I'm a huge Beatles fan-- so much of what they created was pure genius. George Martin was indeed "the fifth Beatle". I couldn't find the original studio recording online, but here's a live version of "Yesterday", a song that wouldn't be what it is without the addition of George's strings: "George Martin Dies: Paul McCartney Credits Producer with 'Yesterday' Success in Touching Tribute" by Lewis Dean on ibtimes.co.uk I wish I had been a fly on the wall during those recording sessions. -
Thing is, I *loved* J.J. Abrams' 2009 "Star Trek" film, and thought it really set the stage for a new generation of Star Trek fans - honoring the original characters, while replacing them with fresh blood. I didn't realize he was the person who directed "Star Wars: The Force Awakens" until later on, and I think he didn't accomplish the same thing with Star Wars as he did with Star Trek (although I haven't seen "Star Trek: Into Darkness," which I'm told is more of a "for-the-masses" movie). Knowing it was Abrams who directed "Star Wars: The Force Awakens" makes me doubly disappointed. Other than Harrison Ford, the use of the original characters was very much of a token appendage. I'm very much of a "Star Wars" fan, too, and that's why I'm so disappointed. That said, I guess I haven't seen one in ... gosh, I don't even know how long it has been, even though this is the seventh installment. I read where there are already plans for an eighth and ninth in the next couple of years, and I suppose this is a classic example of artistry selling out for money. I cherish the 1977 "Star Wars" every bit as much as I do "Raiders of the Lost Ark." Al Dente, you might be interested in knowing that Abrams guest-starred in the "Ratings Guy" episode of "Family Guy." I'm a sucker, so I'll probably rethink and reconsider my initial impression of "Star Wars: The Force Awakens," but my first impressions of the arts in general - wine, movies, music - often turn out to be my ultimate landing pad. Abrams has a long and impressive resume, but he seems to be most talented in one particular area: making blockbusters, and although that's the measuring stick for success by most standards, it means absolutely nothing to me. Some might think of my "graduated from the masses" lament in my "Star Wars: The Force Awakens" post as some sort of humble brag, but it isn't in the least: It *sucks* not being able to enjoy what others do, and it's very much like me saying, "I wish I could be devoutly religious." Who on earth *wouldn't* want to take comfort in knowing that there's a benevolent God ready-and-waiting to take care of you after this life is over?
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I don't know squat about music theory and obviously can't address your question. But Leonard Bernstein was wonderful.
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I had been meaning to post something of the Brazilian singer Luciana Souza's weeks ago, and then it slipped my mind. I'll make up for it now. I'd have to say she's my favorite jazz/pop singer working today. "Doralice" (1960, Antí´nio Almeida and Dorival Caymmi) https://www.youtube.com/watch?v=FawMGW4xygg "Muita Bobeira" (1998, Luciana Souza) https://www.youtube.com/watch?v=06Xix1XnkLg "Here It Is" (2001, Leonard Cohen and Sharon Robinson) Enjoy.
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As long as we're going beyond all those chanteuses I've been highlighting, here's "All the Things You Are". That's Charlie Parker on alto sax, Miles Davis on trumpet, Max Roach on drums, and I forget who else. This recording is so utterly perfect that it makes me cry. Someone posted a comment on this, on youtube or somewhere else, "this cured my cancer", which I thought pretty well summed it up.
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