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*** SPOILERS FOLLOW *** In one of the very first scenes of "To Catch a Thief," a woman yells out her window that her jewels have been stolen, and you're immediately transported to Nice - this great webpage on the.hitchcock.zone has all the locations used in filming the movie. In that first scene, the use of the black cat going up-and-down, to-and-fro on the rooftop in the night is Alfred Hitchcock's tongue-in-cheek way of representing the cat burglar, John Robie (Cary Grant), who owns a black cat. When Robie visits his old acquaintance's restaurant, the restaurateur's daughter, Danielle (Brigitte Auber) motorboats him away to safety, all the while mocking him with allusions to cats ("rubbing his fur the wrong way," etc.). Grace Kelly can look rather fetching: <--- The filly from Philly, berried in Grant's tomb. And if you're wondering what that gorgeous car is they're driving, it's a 1955 Sunbeam Alpine Series III Classic Drive. At the end of this telephone call, Bertani (Charles Vanel) and Robie both say what sounds like "Bonjour," which I've never heard in my life as a way to say goodbye - I think this is a mistake, and a big one considering Vanel is French and would know better: Now, why would M. Foussard (Jean Martinelli) want to kill Robie, hmm? I think I've got this one figured out: A little *too* obvious at this point? Then again, there are only 17 minutes left in the movie. There's a *knee* that went up behind Robie at the climax! See that gray lump on the left? Surprisingly, this is not on the IMDB "Goofs" list. Very, very basic question (and I don't rule out the possibility that I'm missing something): If Robie wanted to prove his innocence, why didn't he simply confide in the chief of police, and agree to secretly leave the area for a week or two? If a crime happened during that time, he was, by definition, innocent (assuming he didn't have an accomplice).