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I'm not going to write much about "Eraserhead," because quite frankly, I don't really know what to write. I originally saw this film in the early 1980s, during one of my first-ever trips to New York City - I saw it for the second time just now, and after about 35 years between viewings, it makes just as little sense to me now as it did then. Only a fool would acknowledge that this isn't some type of masterwork from the twisted mind of genius David Lynch; *what* it is, exactly, I have almost no idea: some type of dream, perhaps, rich with symbolism about creation, destruction, technol
The first time I ever saw a film by David Lynch was in Manhattan, during the summer of 1981, and it was a re-release of "Eraserhead" on the big screen. I haven't seen this movie in almost 36 years, yet there are images which remain as plain as day in my mind. It was perhaps the creepiest film I'd ever seen at that point in my life. "Mulholland Drive" may not be as creepy - on absolute terms - until, that is, the final 40 minutes, when all sense of logic and reality become distorted: No matter how hard you try and understand what's going on, the film will demand a second watching (at least