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Found 2 results

  1. "7:19" is a dramatic tale of survival in the 1985 Mexico City earthquake (which happened at 7:19 AM). One little flaw I noticed is that, when an earthquake happens, everyone pretty much notices it at the same time (I was in the 2011 earthquake here while in *Reagan Airport* - small items were falling from the rafters ... that was a tense couple of minutes. Anyway, three people are talking, and they're slightly out-of-sync when the earthquake starts - these pictures are a total of only about three-seconds apart, so it isn't noticeable except in slow-motion, and yes, it's a nit-picky detail, but they definitely notice something is wrong, one person at a time: 1:25:43 - The pleasant chat 1:25:41 - The man says goodbye, and the older woman notices. 1:25:40 - The man now notices, and calmly says, "Oh, dear!" 1:25:39 - The man calmly adds, "It's an earthquake" as the younger woman looks like she's about to throw up. If you scroll through the four pictures quickly while looking at the younger girl, it's actually pretty funny. I'm quite pleased to add that I saw the 1974 film, "Earthquake," on release, in Sensurround. --- ETA - I suggest thinking twice about seeing this film, as it is one of the grimmest motion pictures I have ever experienced. It's an excellent movie, but you really need to be in the proper frame of mind if you choose to see it - it's something akin to visiting the Holocaust Museum.
  2. You may be asking yourselves: 'What in God's name are you doing watching, much less writing about, 'Airport '77,' Don?' And you'd be wise to ask both questions - watching this God-forsaken movie was an accident: I thought it was a sequel to "Airplane!," the uproariously funny parody of "Airport" (1970), but Airplane! came out in 1980, and was a parody of the entire, four-film Airport franchise, "Airport '77" being the third of four. Before watching it, we took a quick peak at Wikipedia, and noticed in one section Roger Ebert's comment that "The movie’s a big, slick entertainment, relentlessly ridiculous and therefore never boring for long," and took that to mean that although there may be moments of downtime, the yucks won't let up for long - hoo, boy, what a mistaken interpretation that was! About 45 minutes into the film, my friend and I commented about how this film was taking an awfully long time to build up to some laughs, and I made an off-the-cuff comment about it being the wrong movie before we realized, about five-minutes later, that I was (despite my random, clueless comment) correct: We weren't watching a comedy; we were watching a disaster movie in the same vein as "The Poseidon Adventure," only worse - much worse ... there *is* no sequel to "Airplane!" So not only were we watching a crummy disaster film, which was so bad we thought we were watching a comedy for nearly 45 minutes, we were watching the third of four in a franchise, not even having the dignity of context (I believe I saw the original, long, long ago, but never saw any sequels). It only made sense, looking at the absurdly rich cast of characters, that they all got together and agreed to make a slapstick for one last, goofy hurrah together on the screen: Joseph Cotten, Olivia de Havilland, Jimmy Stewart, Jack Lemmon, George Kennedy, Lee Grant, Christopher Lee, Brenda Vaccaro ... that is one seriously famous group of older actors, but instead of going down in a barrel of laughs, they crash-landed in a giant ball of flame and shame: Airport '77 is one of the worst movies I've seen in my adult life. How could this troupe have agreed to sully their reputations by appearing together in this dreadful affair? Even if they were all on the verge of bankruptcy, is there nothing sacred anymore? This movie has nothing worth discussing, with the one exception of the rescue scene at the end, which is interesting because it uses actual Navy rescue techniques. Unless you're OCD, and have a mental requirement to watch films in their entirety (as I do), you're better off skipping to the last scene, to the rescue effort (which, admittedly, is interesting), and eschewing the rest of this awful, awful excuse for cinema.
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