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Found 5 results

  1. "Rebecca," Alfred Hitchcock's first American project, is a Gothic tale filled with suspense. There is fine acting, beautiful cinematography and more twists and turns than your favorite roller-coaster. I wanted to see this film because I have watched a number of movies lately starring Joan Fontaine, and this is considered by many to be her finest work. "Rebecca" is the only Alfred Hitchcock-directed film to win an Academy Award for Best Picture. It is based on the 1938 novel of the same name written by Daphne du Maurier. Filmed in black-and-white, "Rebecca" has a darkly brooding, mys
  2. A very amusing piece of trivia occurs during the opening credits of "Peyton Place," the 1957 film of Grace Metalious' 1956 novel. As I was reading the credits, towards the end, up came: "CinemaScope Lenses by ... Bausch & Lomb" - I kid you not. It's probably a little less funny when you realize that Bausch & Lomb was founded over one-hundred years before that, in 1853! I doubt they were making contact lenses back then, but this is a prime example of a company adapting and surviving. I guess most people have heard of "Peyton Place," but very few people know what it is, other than "
  3. A recent discussion about "Vertigo" on this website made me think about watching "Rear Window" again. I saw this film years ago, and I loved it. I watched it again last night with the same result. This film is regarded by many critics as one of Hitchcock's best. It stars James Stewart as a world famous photographer sidelined with a broken leg. As he sits in his apartment recovering from his injury, he becomes a voyuer, passing the hours watching the lives of his neighbors unfold through their rear windows. The result is a fascinating look at human nature, and our desire to watch. Lik
  4. Since I recently watched "The Maltese Falcon," I decided to have a go at "Suspicion," both films being from 1941. The glass of milk scene was my favorite part of the film - it was Hitchcock at his best. *** MINOR SPOILER FOLLOWS *** I didn't realize until after the movie that Cary Grant's menace is developed by Hitchcock by never having him walking into a scene; he merely "appears" - I'm not sure if that hold true for the entire film, but apparently, it happens quite a bit. Grant's performance was terrific - both childish and increasingly creepy as the film progressed. Will he
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