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  1. I'm not going to write much about "Eraserhead," because quite frankly, I don't really know what to write. I originally saw this film in the early 1980s, during one of my first-ever trips to New York City - I saw it for the second time just now, and after about 35 years between viewings, it makes just as little sense to me now as it did then. Only a fool would acknowledge that this isn't some type of masterwork from the twisted mind of genius David Lynch; *what* it is, exactly, I have almost no idea: some type of dream, perhaps, rich with symbolism about creation, destruction, technology, sex, paranoia, dystopia, and who-knows what else. Rather than reading a bunch of critiques, and then writing this post, I'm deliberately writing this first, because I don't want to sound like a false intellect - I have nothing at all to say of any merit, other than that I sat, riveted, through the entire ninety-minute film. *Now* I'll go through and read all the critiques about "Erasehead," which are required reading, because if you don't piece together some coherent thoughts about this jumble-patchwork of allegorical imagery, you won't have any idea what you just saw. Does *anyone* have anything to say about this film? I suspect piecemeal contributions may result in some type of synergistic whole. As for my opinion? It's essentially worth nothing. Wow.
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