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Found 2 results

  1. I saw "Sling Blade" when it was released, and 23-years later, the only thing I remembered about it was that I really liked it. After having seen it a second time, I can now say that I *love* it, and that it's one of the most brilliant one-man packages I've ever experienced as a filmgoer (Thornton was the screenwriter, the director, and the lead). That said, the entire cast was nearly perfect, without a bad, or even average, performance in the film - every single actor soared in this wonderful movie. See "Sling Blade." I won't taint this film for you by summarizing the plot, or commenting on its components, but I invite anyone and everyone to watch it, and if you disagree with me, to post your viewpoints down below. I'll be very surprised if anyone writes anything, but I'll also look forward to reading your dissenting opinions. Cheers, Rocks
  2. I feel like I just watched the love child of "Do the Right Thing" and "Pulp Fiction." On hallucinogens, because for whatever reason, I could *swear* I remember the story line about Sgt. John Ryan (Matt Dillon) helping his father (Bruce Kirby) off the toilet, but that's forty minutes into the movie, and I remember *nothing* else up to that point; yet, I remember this scene so vividly that ... how could I *not* have seen this film before? This scene isn't exactly a highlight that they'd put on YouTube. "Crash" would make a fine episode of a television series; to win an award signifying "Best Motion Picture" of the entire year? Boy, that's a real stretch - it is hit-you-over-your-head obvious (not the plot; the presentation), in a terribly condescending way. All these different train wrecks have departed towns such as "Meanville," "Nastyland," etc., and they're each taking the express lane to "Luv Station." Meh, like I said - a fine television episode; not best picture material by any means. Although I love the message of this film, it resonates the same with me as Bob Dylan winning the Nobel Prize for Literature - just as some serious author or poet who spent a lifetime honing their craft got cheated out of a literary award, a more serious, less contrived film got cheated out of the Academy Award for Best Picture - that's not to say that Dylan is "bad" at literature, or that Crash is a "bad" movie; just that neither perform - *in these particular categories* - at these (theoretically) most prestigious levels of accolades. An interesting sidenote: Although "Crash" was released in 2004, it didn't qualify for the 2005 Academy Awards because it didn't play for at least one week in Los Angeles. Aug 12, 2015 - "Paul Haggis: Crash Didn't Deserve Best Picture Oscar" by Ben Child on theguardian.com
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