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Showing results for tags 'James Gandolfini'.
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I must admit I loved the Soprano's. I grew up in the region where they filmed. Some scenes include locations I recognize. Moreover I have a strong suspicion kids with whom I grew up could easily have become gangsters. In fact upon watching the very first show my stomach tightened and I had an uneasy feeling as if kids with whom I grew up were pointing a gun to my head; the simple "friendly gesture" of one of the gang members but utterly frightening to all of the rest of us. Today, upon learning of some little bit of news I was feeling aggravated. In my perspective this is a classic Soprano's scene on aggravation...and to top it off ....its all about local coffee shops!!!!! https://www.youtube.com/watch?v=KAYq9jSUKt4
I'd never before seen "Zero Dark Thirty" (2012), and only knew - or thought I only knew - that it was about what the U.S. did with captives suspected of Al Qaeda involvement, so I went in with a very clean slate. Note this thread about torture (and feel free to comment there), which does *not* reflect my personal views on anything, much less torture - I only mention it because it's probably related to this film. In my opinion, this is very much related to our thread about Lt. William Calley as well. "The Saudi Group" is mentioned prominently at the beginning of the film, and I'd never even heard of the term before (and I've always considered myself pretty well-informed about current events, especially things such as this). Some important (real-life) names you may want to familiarize yourself with - or at least have the Wikipedia links handy while watching the film), aside from the obvious, are: Ammar al-Balauchi (brilliantly played by Reda Kateb), Hazem al-Kashmiri, Ramzi Yousef, Abu Faraj al-Libbi, Hamza Rabia, Khabab al-Masri, Atiyah Abd al-Rahman, Humam Khalil Abu-Mulai al-Balawi, and Abu Ahmed (I'm writing as I watch, trying not to pause the film, so I'm bound to make some typos, and will also probably miss some key people). You should also know about the general concept of "Black Sites," and what "ISI" is. Note: It's not at all essential to the plot of the movie to know who these people are - in terms of the film itself, most of them are "mix-and-match" high-level Al Qaeda operatives, and that's more than sufficient to watch Zero Dark Thirty - if you hear a name mentioned multiple times (for example, Abu Ahmed (pronounced "Ahkmed")), then you can make a stronger mental note. When Mark Strong (George, the senior CIA supervisor) was chewing out his group for not eliminating more Al Qaeda personnel, I was thinking to myself, "Well, who's in charge of the group, you brain-dead dork?" Mark Strong also played Maj. Gen. Stewart Manzies in "The Imitation Game," who was the man that made Alan Turing's life (more) helllish, so he's good at playing power-hungry authority figures, and these are two pretty huge roles in a short period of time. Jessica Chastain is a terrible choice to play Maya, the quiet, passive girl who becomes psycho-edgy the longer she stays in the group - her acting is terrible, and she's about as believable as watching Geena Davis playing Ronda Rousey (of course, Ronda Rousey isn't very believable playing Ronda Rousey, either, so ....). Ninety more minutes have passed since I wrote the previous paragraph, and the film is almost over. While lauded by both critics and the public, I'm taking a dissenting view and saying that "Zero Dark Thirty" is a stupid, Hollywood rendition of something that could have been made into a great film. Jessica Chastain was laughably bad in her role - she was miscast, plain and simple, and carries about as much gravitas when she uses big, aggressive words around high-up CIA operatives as an Englishman prancing his French poodle around in a dog show. Furthermore, she was a completely fictional character, and the producers had a chance to make her into anything they wanted - and they chose *this*?! In a way, the film is like the absolutely abysmal "Airport '77" in that the ending is terrific - the final hunt for UBL is brilliantly filmed, believable, and dripping with tension even though we all know what's going to happen. It was the same way in Airport '77 with the rescue, which was filmed using actual military techniques, and was the only good part of the movie. This film is like a wrapped piece of toffee - it's really strong at the beginning, and at the end, and there are nearly two hours of Hollywood tedium, over-acted dreck, and God-awful Jessica Chastain who, inexplicably, was nominated for an Academy Award for Best Actress - I can certainly see "Zero Dark Thirty" winning awards for lighting, editing, sound and the like, but acting? Not unless it's either Reda Kateb or perhaps even Jason Clarke, but nominating Jessica Chastain shows just how much the Academy Awards are dumbed down for the masses, and should never be taken as anything more than "notoriety." Go to Rotten Tomatoes, and you'll think this is a great movie - a can't-miss movie - but to this viewer, it was "okay" at best, and very typical Hollywood: big, bold special effects, and story-driven rather than concerning itself with character development, nuance, or subtlety. If anyone thinks Jessica Chastain was successful in her role as Maya, please offer up your opinion - I'd like to know what you think.