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Found 11 results

  1. I have seen a lot of Alfred Hitchcock films, and "Vertigo" is one of my favorites. I can watch this movie over and over, and find something new and interesting each time. My most recent viewing was in the National Gallery of Art East building. I was delighted to see a restored version of this film on the big screen. "Vertigo" has everything I want in a Hitchcock film: suspense, romance, interesting cinematography and a fantastic score. Kim Novak beautifully embodies the iconic Hitchcock heroine--cool, blonde and sophisticated. Jimmy Stewart is wonderful as Scottie, the retired police dete
  2. With Hollywood westerns, a little bit of research goes a long way - in my lifetime, I've had more success with this genre of movie than perhaps any other, all because I do a little research before choosing what to watch. "The Man Who Shot Liberty Valance" (1962) is the twelfth of fourteen collaborative westerns with John Ford and John Wayne (the first and ninth, respectively, being "Stagecoach" (1939) and "The Searchers" (1956)). It is perhaps the most beautiful western I've ever seen. Loaded with famous actors, every single major and minor star outperforms in this deceptively sad me
  3. I recently commented on my seemingly non-stop run of good luck with American Westerns, but I've just come across two-in-a-row that I'd say were of the "good-but-not-great" variety: "The Magnificent Seven" and "Firecreek," and this makes me wonder - have I been good at selecting Westerns, or have I simply been selecting movies involving John Ford and Clint Eastwood? One problem I see in "Firecreek" is that there's no strongman (yes, the same can be said about "Shane," but I also didn't like Shane). The lead protagonist is a 70-year-old Jimmy Stewart, and the lead antagonist is a 73-year-ol
  4. "Broken Arrow" (1950) is Director Delmer Daves' Western in Technicolor, Starring James Stewart as Tom Jeffords and Jeff Chandler as Cochise, the Chief of the Chokonen Band of the Chiricahua Apache Tribe. Though clearly Hollywood-ized, it's also based on a true story, and if the viewer is willing to do some digging, can learn quite a bit from it. I have mixed feelings about watching old Hollywood Westerns for obvious reasons, but for me it's easy, because I generally pull for the Native Americans, and look at any type of "loss" as a tragic element - plus, I learn something, no matter how s
  5. After viewing the 1956 version of Alfred Hitchcock's "The Man Who Knew Too Much," I decided to watch the 1934 film by the same name, also directed by Hitchcock. Not satisfied with his earlier work, Hitchcock decided to remake the film. While the basic plot remains the same, I was surprised at just how different the two films are. I liked parts of both films, but loved neither. Jimmy Stewart and Doris Day are endearing in the 1956 version in their roles as a Midwestern doctor and his wife on a Moroccan holiday. But the film felt too long as it went on-and-on beyond what I considered the cl
  6. You may be asking yourselves: 'What in God's name are you doing watching, much less writing about, 'Airport '77,' Don?' And you'd be wise to ask both questions - watching this God-forsaken movie was an accident: I thought it was a sequel to "Airplane!," the uproariously funny parody of "Airport" (1970), but Airplane! came out in 1980, and was a parody of the entire, four-film Airport franchise, "Airport '77" being the third of four. Before watching it, we took a quick peak at Wikipedia, and noticed in one section Roger Ebert's comment that "The movie’s a big, slick entertainment, rel
  7. A recent discussion about "Vertigo" on this website made me think about watching "Rear Window" again. I saw this film years ago, and I loved it. I watched it again last night with the same result. This film is regarded by many critics as one of Hitchcock's best. It stars James Stewart as a world famous photographer sidelined with a broken leg. As he sits in his apartment recovering from his injury, he becomes a voyuer, passing the hours watching the lives of his neighbors unfold through their rear windows. The result is a fascinating look at human nature, and our desire to watch. Lik
  8. "Rope," Hitchcock's first Technicolor film, was an experiment of sorts for the director. The action takes place in real time, edited to appear as a single, continuous shot through the use of long takes. This movie is based on a play of the same name, and this filming technique makes the viewer feel as if they are watching a play rather than a film. *** SPOILER ALERT! *** "Rope" is the tale of two young roomnates who strangle a former classmate minutes before they host a dinner party. The corpse is stuffed into a large chest, on which they decide to serve their meal to their guests. T
  9. The Shootist begins with a combination of montages and credits as follows: Dino De Laurentis Presents A Frankovich/Self Production The team of Mike Frankovich and William Self lasted just over a year, and produced only 2 movies, both in 1976: "The Shootist" (John Wayne's final film) and "From Noon Till Three" (with Charles Bronson). John Wayne [as J.B. Books: "The Shootist"] Lauren Bacall [as the widow Bond Rogers, The Innkeeper] "in a Siegel film" Don Siegel only worked on several major movies, and was the Director of "The Shootist" THE SHOOTIST The film starts with a mont
  10. There are currently two versions of "Mr. Smith Goes to Washington" available on Amazon - the original 1939 version, and the 2014 release from the Library of Congress Motion Picture Conservation Center, with damaged parts repaired. The former is $3.99 to rent; the latter is $2.99 - I decided to save a buck and leave the original version for film historians (which I would love to be, but there are only so many things you can do in a single life). The big names in this film are Jimmy Stewart (newly appointed Mississippi Senator, Jefferson Smith), Jean Arthur (Clarissa Saunders), and Claude Rain
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