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Showing results for tags 'Jeremy Kleiner'.
Living in Washington , DC, I never thought I would find a venue that would showcase my love for artsy , independent films. E Street Cinema was a gem I thought to be rare. Zoetroplis Art House in Lancaster, Pa has fullfilled my long lost love for indie films. Moonlight is a film that should be the center of discussion at any table. My lack of review of this prolific film is deliberate. Please go see this film. You are welcome, kat
As I've been doing lately with these 2015 Academy Award nominees, I'm writing these posts as I watch the films on Amazon (using X-Ray to obtain some interesting trivia and factoids). So, as I write this about "The Big Short," I haven't even seen the opening credits. Note that Amazon gives you 30 days to begin watching your rental (which you can also cancel), but once you begin watching it, you only have 48 hours to finish - I guess this is reasonable to prevent multiple people from watching one film on one person's account, but sometimes I like to take a little longer - ah, well, compromises need to be made somewhere. Again, I recommend X-Ray for people interested in studying the film, but not for people who are easily distracted, as it could easily be a nuisance - you have your choice of pretending it's not there at all. *** SPOILERS ALERT *** You can probably assume that the rest of this post will contain various degrees of spoilers. I'll start by saying I *love* the film's opening quote by Mark Twain: "It ain't what you don't know that gets you into trouble. It's what you know for sure that just ain't so." While not entirely true, there is a ring of familiarity to it, I'm sure, affecting us all. Director Adam McKay was Head Writer for Saturday Night Live for two seasons, and has directed comedies in the past (e.g.. "Talladega Nights: The Ballad of Ricky Bobby," which I'm ashamed to say I found to be quite amusing), but this is his first dramatic directorial debut. This is also the first movie of any kind that McKay has directed without Will Ferrell in the cast, which is surprising, but I really don't know much about McKay. Ferrell also co-wrote all but one of McKay's comedies, so there's definitely a close partnership here. When Dr. Burry went into Goldman Sachs and said he wanted to short the housing market, the song playing in the background was "Money Maker" by Ludacris. You will find multiple, almost random, cameos by some seriously famous people, including one very famous chef. The quote, "Truth is like poetry. And most people fucking hate poetry," is great (and written just for this movie). Boy, if this film doesn't make you want to vote for Bernie Sanders, nothing will. Here are some stats flashed at the end: * 5 trillion dollars disappeared * 8 million jobs were lost * 6 million people lost their homes * And that's just in the United States * 1 person went to jail from Credit Suisse And look where we are today in 2016. I have very strong feelings about whether or not the economy should have "recovered" so quickly after "the worst financial disaster since The Great Depression," but that's for another time, another thread - I pretty much said all I have to say right here.
I saw "Selma" for the first time this evening, and while I'm glad I saw it, and feel that I'm a better person for having done so (how many of us are truly familiar with the non-fictional story?), I can only say "very good" and not "great" as a motion picture - perhaps mainly due to casting problems, and perhaps mainly due to my personal prejudices in getting over them. Tim Roth as Governor George C. Wallace? Tom Wilkinson as President Lyndon Baines Johnson? And worst of all, Dylan Baker as J. Edgar Hoover? I don't see any of them. That said, Carmen Ejogo was a physical dead-ringer for Coretta Scott King - I felt as if I was actually watching Mrs. King herself! (I know physical perfection doesn't a good role make; this is more of a side comment.) David Oyelowo played a very humanized, non-legendary Martin Luther King, Jr., and (if I may borrow a phrase I read) pulled him back from the statues, into the human race. He was flawed, self-doubting, and I loved the humanity in his role. It's late at night, I've already slept a couple of hours, and am not up to full reviewing-mode right now, but I'm really hoping people will chime in with some opinions about this recent movie, good, bad, and everything in-between. I'd like to read your thoughts, all of your thoughts. Has anyone else seen this? This was worthy of (and certainly designed for) being nominated as 1 of 8 nominees for Outstanding Picture at the 87th Academy Awards - one of these days I'll mature enough not to use the Academy Awards (or, for that matter, the Beard Awards), as any sort of benchmark, I promise you, but there's just no doubting that they're the highest honor, at least for Hollywood, and this picture had "Hollywood" written all over it. I love film, and want to watch every good movie ever made. My father, as he got older, became quite an expert, and I hope to follow in his footsteps; I doubt I'll ever match his accomplishments, but I hope to have fun trying.