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And so I did, tonight for the third time. When I saw "Barton Fink" in the theater, I swore it was one of the greatest films I'd ever seen, but I didn't have the first idea *why* it was. Tonight, I still think it is, and only now do I fully realize just how much of this film I don't understand. As I type this, I'm partially finished with this piece, an important analysis of "Barton Fink" - "'Writers Come and Go': The Greatness of Barton Fink" by Eric S. Piotrowski on medium.com
Well, "The Big Lebowski" is another picture that nobody can believe I'd never seen before, but I hadn't (this, and "This Is Spinal Tap" were the two I'd really been wanting to watch for a long, long time). I was really getting into this film - a great comedy to be sure - when the terrorist attacks hit Nice, and pretty much ruined it for me. Still, that doesn't lessen the movie - Jeff Bridges is brilliant, and so is just about everybody else. I don't think I've ever seen a Coen Brothers film that I don't like - they are geniuses in the mold of Matt Groening. I'm not up for a big, long write-up, but I'd love to discuss the movie with anyone who wants to. This Nice attack has pretty much wiped out any comedic effects the film had on me tonight; tomorrow I'll be better - I'm not going to let those assholes compromise anything about my life.
Towards the beginning of "Argo," they showed some American churches, businesses, etc. with "Free the Hostages" signs - despite the Iranian embassy being stormed in 1979, one of the buildings depicted is still open - it's right across Chain Bridge Road from what is now Santini's (formerly Boston Market). The first picture is from the film; the second picture is from Google Maps. It's also amazing (and not coincidental) that when Tony Mendez (Ben Affleck) first enters the CIA Headquarters in Langley, he's actually entering the CIA Headquarters in Langley (just a couple miles from McLean Cleaners) - this is the first time I've ever seen any pictures of the Headquarters (which is way back from the street), and apparently, special access was granted entirely due to honoring Tony Mendez (you should read about him on Wikipedia). *** SPOILERS FOLLOW *** I had never heard of the Canadian Caper before reading about Mendez on Wikipedia, which is pretty pathetic, because 1979 is the year I graduated from high school - I guess I was more worried about college life, and the Iranian hostage crisis was only on my mind as much as the television allowed it to be. From my viewpoint, 38 years later? This was an act of war on the part of the Iranian people, period - embassies are designated as foreign countries, and the safe harbor which comes from being within those countries' borders - these Iranians invaded the United States the moment they broke into the embassy - tell me where I'm wrong, please. In the distant future, Rodney King will be remembered as a hero, for his words, "Can we all get along?" They mean more than any crime he ever committed, and he will be regarded as a role model. Within five seconds of first seeing John Chambers (John Goodman), an homage is made to "The Blues Brothers." And it's very, very funny that the name of the movie ("Argo") comes from a crude knock-knock joke. This, for an Oscar-caliber film: 'Knock-knock.' "Who's there?" "Argo." "Argo who?" "Ar Go fuck yourself." What I can't understand is why, when Mendez first meets the six hostages at the Canadian Embassy, he would assume the room *isn't* bugged. I mean, come on ...