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Found 3 results

  1. Midnight Cowboy is one of "those movies" I assumed that I'd seen before, but upon watching it, I realized there's absolutely no way I had. What an amazing acting duo by Voight and Hoffman (Hoffman got top billing, but I think Voight captured this film). While this may be the first example of a long string of overacted character roles by Hoffman, he still managed to pull it off. Voight, on the other hand, just plain owned this movie - I cannot imagine anyone playing a better Joe Buck. This plot became so complex and dark that I was mesmerized and stunned into silence. I'd had a long
  2. The 1988 British film, "Madame Sousatzka," is one of "those" movies that's a personal favorite, but also one which you tend not to recommend to others, since it's so esoteric and focused - you just don't think that most people will enjoy it. I'd seen John Schlesinger's film revolving around an eccentric piano teacher (Shirley MacLaine in a uniquely quirky performance as Irina Soustazka), and her current young piano prodigy, Manek Sen (played excellently, and (just as importantly) with pretty convincing piano, by 16-year-old Navin Chowdhry). Anyway, I'd seen Madame Sousatzka at least twice
  3. I hadn't seen "Marathon Man" since I was in high school - given my filtered memory, I'm surprised at how slow the film starts off, but once it builds (about one-third or one-half way through), it builds quickly and relentlessly. It's a fiendishly fun thriller that will make you wince, pity, fear, and cheer, all with unresolved questions at the end, but you may be surprised at how slowly the film begins. An obvious repeated theme in this film is pain, and the ability to "run through it," and the marathon motif is no MacGuffin - it's highly symbolic of the horrors which are coming. Speaking
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