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Found 4 results

  1. I saw "Pulp Fiction" when it came out in 1994, and *hated* it - it was my first Quentin Tarantino film, and I was so turned off by all the gratuitous violence that I just couldn't stand the movie. My second stub of a Tarantino film I saw was "Reservoir Dogs" which did nothing to ingratiate him to me. I am simply not impressed by how much violence you can throw up on a screen, unless that violence is there for an artistic purpose. That said, I really enjoyed "Django Unchained," but oh my God it was hard to watch (remember Paul Dano making the slaves clap while he sang?) And, since I liked
  2. The connection between "Carrie" and "The Handmaid's Tale" is stronger than one might initially think - the difference in stifling oppression occurring between that of an insanely religious, psychopathic mother, and a falsely religious, psychopathic, male-dominated society. Both are tales of attempts at absolute female submission - Carrie by one, sick individual (while tormented by a Lord of the Flies-like hell-school); Handmaid by an entire, dystopian society. Sissy Spacek distanced herself from the rest of the cast (hopefully via Director's decision) early on in the film, during her amaz
  3. John Travolta first made his name in film in the 1970's, often as the result of dance scenes. During the 1970's Travolta was young lithe, rangy, and an excellent dancer. As he aged, gained weight, and took on dramatically different roles, some of them included memorable dance scenes, not the least of which was the one in the whimsical film "Michael," made in 1996. Travolta played an angel on his last trip to earth and was staying in a motel in Iowa. Three reporters from a Chicago rag and a pet dog are sent to the motel to uncover the Angel and then return on a road trip back to Chicago
  4. I did it. I rented "Saturday Night Fever." I hadn't seen the entire film since I was in high school, in the movie theater, and wanted to see it again - I remember I liked it more than I thought I would, but that was thirty-nine years ago. At the minimum, the film is an icon of the disco era - really, it's *the* icon of the disco era, and that - in-and-of-itself - is historically important enough to give it a second viewing. It goes hand-in-hand with an important, albeit banal, period of our country's history. I never knew (or didn't remember) that the sequel to "Saturday Ni
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