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Showing results for tags 'Mark Isham'.
I saw this fine biography for the first time last night, and can recommend it wholeheartedly. Parts of it are dramatized (Pee Wee Reese's hug, Enos Slaughter's spiking, etc.), but for the most part, it's accurate and absolutely based in truth. There's something I've been meaning to write here for the past ten-or-so years, and this is as good a place as any (although I may have written it before). When the Rickey was named as DC's "official" drink in 2008, I wrote Chantal Tseng, and encouraged her to make a classic Rickey with a twig in it (perhaps a twig of Rosemary, or Thyme, or maybe just a Kukicha tea stick). I suggested that she make it "her own" drink, and call it the Branch Rickey - an idea that, to this very day, I *love*. She wrote me back and thought it was clever, but never ran with the idea. Many years ago, Derek Brown started a thread called "Creating The Don Rockwell Cocktail," and I thought it would be nice to have Champagne with a splash of Cognac, but I like the idea of the "Branch Rickey" even more - not just because it's a clever name (though I *love* the name), but because I think it would work very well as a cocktail. So, who in town is going to make "the Don Rockwell Cocktail": the Branch Rickey? NB - To those who don't know what a hero Branch Rickey is: If there had been no Branch Rickey, there would have been no Jackie Robinson. I won't say he's as important as Abraham Lincoln, but I can't name five white people who have done more to advance the cause of racial equality than Branch Rickey - I'm not even sure I can name two.
I feel like I just watched the love child of "Do the Right Thing" and "Pulp Fiction." On hallucinogens, because for whatever reason, I could *swear* I remember the story line about Sgt. John Ryan (Matt Dillon) helping his father (Bruce Kirby) off the toilet, but that's forty minutes into the movie, and I remember *nothing* else up to that point; yet, I remember this scene so vividly that ... how could I *not* have seen this film before? This scene isn't exactly a highlight that they'd put on YouTube. "Crash" would make a fine episode of a television series; to win an award signifying "Best Motion Picture" of the entire year? Boy, that's a real stretch - it is hit-you-over-your-head obvious (not the plot; the presentation), in a terribly condescending way. All these different train wrecks have departed towns such as "Meanville," "Nastyland," etc., and they're each taking the express lane to "Luv Station." Meh, like I said - a fine television episode; not best picture material by any means. Although I love the message of this film, it resonates the same with me as Bob Dylan winning the Nobel Prize for Literature - just as some serious author or poet who spent a lifetime honing their craft got cheated out of a literary award, a more serious, less contrived film got cheated out of the Academy Award for Best Picture - that's not to say that Dylan is "bad" at literature, or that Crash is a "bad" movie; just that neither perform - *in these particular categories* - at these (theoretically) most prestigious levels of accolades. An interesting sidenote: Although "Crash" was released in 2004, it didn't qualify for the 2005 Academy Awards because it didn't play for at least one week in Los Angeles. Aug 12, 2015 - "Paul Haggis: Crash Didn't Deserve Best Picture Oscar" by Ben Child on theguardian.com