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A recent discussion about "Vertigo" on this website made me think about watching "Rear Window" again. I saw this film years ago, and I loved it. I watched it again last night with the same result. This film is regarded by many critics as one of Hitchcock's best. It stars James Stewart as a world famous photographer sidelined with a broken leg. As he sits in his apartment recovering from his injury, he becomes a voyuer, passing the hours watching the lives of his neighbors unfold through their rear windows. The result is a fascinating look at human nature, and our desire to watch. Like Stewart's character, Jeff, we are drawn into the lives of these strangers, without knowing their names or in some cases, ever hearing them speak. Love, marriage, fidelity, success, failure and of course (it is Hitchcock after all) murder--all of these subjects are put on display, simply by allowing us to sit and stare out of the window with Jeff. Grace Kelly is luminous as Jeff's girlfriend, Lisa Fremont. A successful fashion model who is madly in love with him, she appears in one gorgeous dress after another, begging for Jeff's attention, but failing to draw his gaze away from the window with her more than ample charms. Hitchcock films Lisa so that we are seduced by her, even when Jeff is not. She faces the camera as she kisses his neck, begging him to pay attention to her. Her Edith Head wardrobe is divine. Anyone remotely interested in 1950s fashions will love seeing the frocks Kelly so beautifully wears. Jeff ignoring Lisa for his voyeuristic pursuits makes this film feel relevant in 2016. Who hasn't seen groups of people sitting together, heads down, scrolling through their Facebook feeds or reading the news on their phones? Would they be happier if they looked up and talked to each other? Or, consider the concert-goers, taking endless photos and posting them on social media. Would they enjoy the performance more if they pocketed their phones and lost themselves in the music? In 1954, Hitchcock was making a statement about people watching films and, perhaps, TV. Think about how much more pervasive passive voyeurism has become in the past 60 years. "Rear Window" succeeds on many levels. It is a story of romance and mystery. There is a great deal of suspense in this film as it unfolds, all extremely well done by the master. If you haven't seen "Rear Window," I highly recommend that you do.