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Showing results for tags 'Period Drama'.
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The promo for the series "Feud: Bette and Joan" caught my eye, having recently watched "Whatever Happened to Baby Jane?", and reading about the rivalry between its two stars, Joan Crawford and Bette Davis. Usually by the time I hear about a series it is several seasons in, requiring binge watching to catch up. Fortunately, this one just premiered last month, so I was able to catch the first episode the night it aired. As expected, the show is campy fun. There are some big names, too. Stanley Tucci, Jessica Lange and Susan Sarandon are a few of the stars. Lange is completely transformed into Crawford. I didn't have the same feeling with Sarandon. She does have Bette Davis eyes, but watching Sarandon portray Davis, I was constantly aware I was watching Sarandon. Perhaps it is because her looks weren't as dramatically transformed as her co-star's. In the fourth episode, a reference is made to "Kiss Me Deadly," another 1950s era film that I recently watched which is also reviewed on this site. It is still too early to tell if this show will be worth watching, but I am giving it a shot because who doesn't enjoy a little retro camp from time to time?
My knowledge of mid-19th-century Manhattan is something approaching zero. I had absolutely no idea about the gang wars of the 1840s (likewise Five Points), nor Blackwell's Island, nor the nefarious activity that occurred during the 1860s (some of it also at Five Points), and in this regard, "Gangs of New York" does a good job at teaching this important, yet little known, part of American History. I can't sit here and claim it's faithful to the truth, when I don't even know what the truth is, but it seems like it's at least trying to be. Yes, Martin Scorsese is going to throw in some drama, but that doesn't mean the history lesson is worthless; just embellished. Let me warn you, before writing any spoilers, that this is a very long and difficult film to follow - you'll be doing yourself a favor to write down names, positions, actors, or have the Wikipedia window open if you're watching it on your computer - otherwise, you might easily get confused. I did all this and *still* got confused, so be mindful. If you get lost (and don't be ashamed if you do), there's a very thorough synopsis on IMDB.com. *** SPOILER ALERT *** It's surprising that Liam Neeson ("Priest" Vallon, Amsterdam Vallon's (Leonardo DiCaprio's) father) is killed off so early in the film, but that does set the stage for the rest of the movie. Plus with other major stars such as William Cutting (Daniel Day-Lewis), and Jenny Everdeane (Cameron Diaz), this might have saved some on what must have been substantial salary costs (*) Speaking of history, I find it both fascinating and timely that Abraham Lincoln's Conscription Act of 1863 - the first-ever mandatory draft for American men - could be circumvented either by paying $300, or by finding a suitable substitute (this is both in the film, but also occurred in real-life). Needless to say, this caused a great deal of civil unrest, as accusations were made that wealthier people could avoid the draft, whereas poorer people were stuck with it - the more things change, the more they stay the same. It's amazing to me how Amsterdam had the wits about him to sell the recently killed corpse to medical science (it's even more amazing to me how that ended up in the papers, considering the transaction was made in complete secrecy). Notice the tribute paid to Nosferatu in the newspaper article - the drawing of the man second-from-the-right - even the man on the far-right has similar ears: My goodness - I just realized I'm only forty minutes into this film, and I have over two hours remaining. Ha! I knew when they were talking about Jenny (Cameron Diaz) being a "turtledove," that it was Martin Scorsese making a cameo as a wealthy homeowner. (*) Interesting - when I was confirming that about Scorsese, I also read that both DiCaprio and Scorsese both took salary reductions to preserve the budget. Huh! And shortly afterwards, Horace Greeley (Michael Byrne) makes a formidable appearance. Here's an interesting piece of information about the 1872 Presidential Election (it's too important to be called "trivia."). Likewise, P.T. Barnum (Roger Ashton-Griffiths) makes a significant appearance in the movie. Wikipedia describes "Gangs of New York" as an "epic period drama," and that it certainly is. Who would know that the New York City Draft Riots of 1863 were the largest civil and racial insurrection in American history, aside from the Civil War - I certainly didn't, and wouldn't have if I hadn't watched this film. For this reason alone, the film is worth watching - I'm not even sure I knew this film even existed (it was released four months after Karen died, and I only have a vague recollection of the Space Shuttle Columbia explosion - I mean, I have a memory of noticing the headlines when it happened, but I didn't care, and know almost nothing about it (contrast to the Space Shuttle Challenger explosion, which was one of the few incidents during my lifetime that I remember where I was when I heard the news (some others being the O.J. Simpson Trial, the World Trade Center attacks, the Apollo 11 moon landing, and Martin Luther King's assassination). "Gangs of New York" may not be to everyone's taste, but there's no denying that it's an important, historical film, and one which I will remember for a long time. It's so long (2'45") that you *must* be dragged into its atmosphere if you're going to watch it, and you're unlikely to forget it for that reason alone. To show how out of touch I was with life during that time period, I've never even heard of "Chicago," which won the Best Picture Academy Award that year.
Reading your first post reminded me that you're a no-BS type of person. Reading your second post got me wondering what I would recommend to you (besides "Duel," that is (which I really think you'd like)). Don't take this as a put-down, but an example of a good movie - a really good movie - that I consider to be, quite literally, "lifeless," but that you may like, is John Houston's "The Dead," doubly so because we were just discussing his first film, "The Maltese Falcon," triply so because I *vaguely*, and perhaps incorrectly, think you might have once mentioned that you like James Joyce. I saw "The Dead" in the theater upon release in 1987, and haven't seen it since (although I did read "Dubliners" about five years ago - and I *still* don't remember what "The Dead" is about, if that says anything about either the short story or me). I remember walking out of the theater thinking to myself, "That was a really well-made movie, even though it bored the hell out of me" (I was also only 26, and my tastes have matured). Now I don't think "Spotlight" was boring by any means, but it was a no-BS film (there was a little bit of over-doing things, but not by Hollywood standards). If you haven't seen "The Dead," I must warn you that it's a period piece (it takes place in 1904, which was contemporary with Joyce), and those "types" of movies have their detractors, me sometimes being one of them. Anyway, just a thought. and I'm thinking of seeing it again myself now that I've read the story.