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You have two choices when watching "The Wild One": 1) Watch it through the eyes of older people who lived through The Great Depression and World War II, and were genuinely afraid of seeing society unravel and go to hell in a handbasket, or 2) roll your eyes, and scream aloud, about fifty times, "My *God* this is dated!" "The Wild One" is so dated that it comes across as a parody of itself. The acting is so overwrought, and the dialogue is so corny that it comes across as being about as rebellious as "Rock Around the Clock." One of the leaders of the Black Rebels Motorcycle Club is Jerry Paris, who played the dentist in "The Dick Van Dyke Show" - I'm sorry, but seeing Rob Petrie's next-door neighbor Jerry Helper in a black leather jacket is just not that frightening. Clocking in at just under an hour and twenty minutes, "The Wild One" seems interminable. You have to acknowledge its influence as the first-ever biker flick, and for Marlon Brando influencing both Elvis Presley and James Dean (and hence, the rebellious 1960s). This film is, at once: terrible, important, influential, dated, forward-looking, inane, and ridiculous. Marlon Brando's stunt-double was *so obvious* that it was, at times, laughable, as he didn't look anything like Brando, and the transitions between Brando and his stunt-double were very poorly done, and not edited well at all. If you want to watch a movie for a good time, take a pass on "The Wild One"; if you want to be a good film scholar and watch a historically important movie, then go for it. That's about the best I can do for you - I felt like I was watching an episode of "Route 66," and not a particularly good one, either. --- But there is this legendary quote: Kathie Bleeker: "What're you rebelling against, Johnny?" Johnny Strabler: "Whaddya got?" --- The Hollister Riot, the staged picture of which - in Life Magazine - influenced the whole biker genre.