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Found 10 results

  1. What a tremendous achievement "Amour" is, from the hauntingly beautiful story, to the outstanding performances by Jean-Louis Traintignant and Emmanuelle Riva, both of whom deserved awards for Best Acting in a Lead Role. I won't spoil the story, but this is a tale of love between a wonderful pair of senior citizens - a love that is tested to the extreme, and a love that we all feel jealous of, because so few of us will ever experience it. Like so many great French dramas, this is a masterpiece in character study and development - you'll find very little action, but an incredible level
  2. If this movie hadn't been nominated, I probably would have really enjoyed it. If this movie had a different literal take away toward the end, I may have even loved it. But it was, and it didn't. Not to sound cliche, but they don't make movies like this anymore. I felt it had the right amount of whimsy and fantasy, along with a story line that was engaging and kept moving. Interestingly, my wife felt like Ryan Gosling was a star while Emma Stone was lacking - I thought the exact opposite. But these filmmakers aren't dumb, I will give them that. Take the nostalgia from a wel
  3. With Hollywood westerns, a little bit of research goes a long way - in my lifetime, I've had more success with this genre of movie than perhaps any other, all because I do a little research before choosing what to watch. "The Man Who Shot Liberty Valance" (1962) is the twelfth of fourteen collaborative westerns with John Ford and John Wayne (the first and ninth, respectively, being "Stagecoach" (1939) and "The Searchers" (1956)). It is perhaps the most beautiful western I've ever seen. Loaded with famous actors, every single major and minor star outperforms in this deceptively sad me
  4. I'm not sure how much Glenn Close is getting paid to star in this revival of Sunset Boulevard 26 years after the original, but she is worth every cent - even considering an imperfect vocal performance. This production was called 'partially staged' in London - when it moved to New York they must have fleshed out the staging a bit, but it is still much lighter than the original. After all, you need the space to hold the 40-piece orchestra on the stage which provides rich sound without being distracting behind the actors. The actor playing Joe Gillis (male lead) was fine, but gave a very
  5. Believe it or not, "The Seven Year Itch" is the first film I've ever seen with Marilyn Monroe in it. I see in the opening credits that they'll be using Rachmaninov's Piano Concerto #2 - this could be fun, painful, or anything in-between. *** SPOILERS FOLLOW *** Speaking of painful, there's the beginning, where the "Manhattan Indians" send their wives and children away to escape the summer heat: RIchard Sherman (Tom Ewell), the middle-aged man left in Manhattan while his wife and son go up to Maine to escape the summer heat, plays his role with comic aplomb. He's got "that face"
  6. I'm going to watch "Arthur" again soon, and was just watching a highlight clip from it - one particular scene recalled a *hilarious* story that happened over thirty years ago. I used to (lovingly) call my mom "Eva," and one day I was sitting at the kitchen table having some sort of family meal - my young niece (probably 3 or 4 years old) was there, and my mom said something - I can't remember what - that was most likely a combination of amusing and annoying (she was probably trying to force food on me as she was wont to do). Putting on my absolute best "Arthur-style" English accent,
  7. I did it. I rented "Saturday Night Fever." I hadn't seen the entire film since I was in high school, in the movie theater, and wanted to see it again - I remember I liked it more than I thought I would, but that was thirty-nine years ago. At the minimum, the film is an icon of the disco era - really, it's *the* icon of the disco era, and that - in-and-of-itself - is historically important enough to give it a second viewing. It goes hand-in-hand with an important, albeit banal, period of our country's history. I never knew (or didn't remember) that the sequel to "Saturday Ni
  8. I decided to watch "Notorious," after reading that it is French director Francois Truffaut's favorite Hitchcock film. Truffaut calls Notorious the quintessential Hitchcock film in his wonderful book, Hitchcock, which I highly recommend for any fan of the master of suspense. Perhaps because of Truffaut's high praise I was expecting too much. I enjoyed the film, but I didn't love it. I am a huge Cary Grant fan, and Ingrid Bergman is a fine actress, so I thought I might agree with Truffaut's assessment that this film is the embodiment of the Hitchcock genre. Maybe my disappointment stemmed f
  9. *** SPOILERS FOLLOW *** In one of the very first scenes of "To Catch a Thief," a woman yells out her window that her jewels have been stolen, and you're immediately transported to Nice - this great webpage on the.hitchcock.zone has all the locations used in filming the movie. In that first scene, the use of the black cat going up-and-down, to-and-fro on the rooftop in the night is Alfred Hitchcock's tongue-in-cheek way of representing the cat burglar, John Robie (Cary Grant), who owns a black cat. When Robie visits his old acquaintance's restaurant, the restaurateur's daughter,
  10. Since I recently watched "The Maltese Falcon," I decided to have a go at "Suspicion," both films being from 1941. The glass of milk scene was my favorite part of the film - it was Hitchcock at his best. *** MINOR SPOILER FOLLOWS *** I didn't realize until after the movie that Cary Grant's menace is developed by Hitchcock by never having him walking into a scene; he merely "appears" - I'm not sure if that hold true for the entire film, but apparently, it happens quite a bit. Grant's performance was terrific - both childish and increasingly creepy as the film progressed. Will he
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