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Found 5 results

  1. I'm going to use this opportunity to sneak in a recommendation for Rush, the only racing movie I've ever actually liked*. Although the writers played with some historical facts regarding the main characters**, the racing sequences are spot-on accurate and totally believable -none of this "can they really do that?!" Hollywood special effects bs. And, the racing sequences are mercifully short and serve to further the story, which is about a rivalry between two men. It's not a paean to F1 (that's a compliment, and it comes from an F1 fan). *aside from Senna, but that's a documentary
  2. I've had this weird "thing" lately where I've been watching SE1 EP1 of classic American television shows - I guess I was so ignorant, for so long, that this is sort-of like taking a post-WWII pop culture course. *Everyone* but me at Clemson used to gather round the TV and watch "The Andy Griffith Show"; before last week, I had never before seen a single episode (my friends also called me a "Yankee"). The one thing that stood out to me in "The New Housekeeper" is six-year-old Ron Howard. I almost always find whiny children on TV to be incorrigible brats, but Howard - who was certain
  3. I was 12 years old when "American Graffiti" (1973) was released, and just like with "Animal House" (1978) when I was 17, I think both movies meant more to me then than they do now - they're both, in a sense, "coming-of-age" films, and I think coming-of-age films have a greater influence if you're about to go through that period in your life: With American Graffiti, I was 5-years away, with Animal House, I was only 1-2 years away, and that's probably why I loved both movies at the time. Like with "Blackboard Jungle," I didn't realize that "Rock Around the Clock" was the opening theme song
  4. The Shootist begins with a combination of montages and credits as follows: Dino De Laurentis Presents A Frankovich/Self Production The team of Mike Frankovich and William Self lasted just over a year, and produced only 2 movies, both in 1976: "The Shootist" (John Wayne's final film) and "From Noon Till Three" (with Charles Bronson). John Wayne [as J.B. Books: "The Shootist"] Lauren Bacall [as the widow Bond Rogers, The Innkeeper] "in a Siegel film" Don Siegel only worked on several major movies, and was the Director of "The Shootist" THE SHOOTIST The film starts with a mont
  5. I have been blissfully ignorant about "A Beautiful Mind" since its release (it was released at a time when I was too occupied to care about films), and other than that "it was about some smart guy and it starred Russell Crowe," I knew nothing about it - I didn't know it was directed by Ron Howard, and I didn't know it won four Academy Awards in 2001, including Best Picture. Seventy-five minutes into this movie, I was dismissing it as "Hollywood at its worst," and then I got sucker punched - I had *no idea* that what I had spent the past hour slowly stewing over had been sending me down the w
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