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As I've been doing lately with these 2015 Academy Award nominees, I'm writing these posts as I watch the films on Amazon (using X-Ray to obtain some interesting trivia and factoids). So, as I write this about "The Big Short," I haven't even seen the opening credits. Note that Amazon gives you 30 days to begin watching your rental (which you can also cancel), but once you begin watching it, you only have 48 hours to finish - I guess this is reasonable to prevent multiple people from watching one film on one person's account, but sometimes I like to take a little longer - ah, well, compromises need to be made somewhere. Again, I recommend X-Ray for people interested in studying the film, but not for people who are easily distracted, as it could easily be a nuisance - you have your choice of pretending it's not there at all. *** SPOILERS ALERT *** You can probably assume that the rest of this post will contain various degrees of spoilers. I'll start by saying I *love* the film's opening quote by Mark Twain: "It ain't what you don't know that gets you into trouble. It's what you know for sure that just ain't so." While not entirely true, there is a ring of familiarity to it, I'm sure, affecting us all. Director Adam McKay was Head Writer for Saturday Night Live for two seasons, and has directed comedies in the past (e.g.. "Talladega Nights: The Ballad of Ricky Bobby," which I'm ashamed to say I found to be quite amusing), but this is his first dramatic directorial debut. This is also the first movie of any kind that McKay has directed without Will Ferrell in the cast, which is surprising, but I really don't know much about McKay. Ferrell also co-wrote all but one of McKay's comedies, so there's definitely a close partnership here. When Dr. Burry went into Goldman Sachs and said he wanted to short the housing market, the song playing in the background was "Money Maker" by Ludacris. You will find multiple, almost random, cameos by some seriously famous people, including one very famous chef. The quote, "Truth is like poetry. And most people fucking hate poetry," is great (and written just for this movie). Boy, if this film doesn't make you want to vote for Bernie Sanders, nothing will. Here are some stats flashed at the end: * 5 trillion dollars disappeared * 8 million jobs were lost * 6 million people lost their homes * And that's just in the United States * 1 person went to jail from Credit Suisse And look where we are today in 2016. I have very strong feelings about whether or not the economy should have "recovered" so quickly after "the worst financial disaster since The Great Depression," but that's for another time, another thread - I pretty much said all I have to say right here.
If this movie hadn't been nominated, I probably would have really enjoyed it. If this movie had a different literal take away toward the end, I may have even loved it. But it was, and it didn't. Not to sound cliche, but they don't make movies like this anymore. I felt it had the right amount of whimsy and fantasy, along with a story line that was engaging and kept moving. Interestingly, my wife felt like Ryan Gosling was a star while Emma Stone was lacking - I thought the exact opposite. But these filmmakers aren't dumb, I will give them that. Take the nostalgia from a well done example of a dying genre, combined with the blatant love note to Hollywood, and you wind up with a best picture nominee in a year when options were light.