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Showing results for tags 'Steve Golin'.
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When I was young, I saw a film titled, "Man in the Wilderness" (1971), which I still remember. "The Revenant" is based upon the same story (also titled "The Revenant," but written nearly 30-years after "Man in the Wilderness" was filmed). Of the two, the latter is *way* more spectacular, and - from what I remember - just plain better: a lot, lot, lot better. Leonard DiCaprio's performance won him an Academy Award for Best Actor, and from the other performances I've seen in 2015, it is fully deserved. Both DiCaprio and Supporting Actor Tom Hardy give two of the greatest performances I've ever seen in a single film - off the top of my head, I can't think of one movie with two better performances. "Midnight Cowboy," maybe, or "Rush?" If you enjoy films dealing with the human struggle to survive against all odds (and don't mind a bit, okay, a *lot* of graphic oomph), you'll really like "The Revenant" - it's not condescending at all. It even mentions Pawnee! Is Emmanuel Lubezki the best Cinematographer in the world? Don't be so sure he's not. Unless you've seen the film, you'll have no idea what this is, but it's a clear homage to prehistoric cave art, and just a beautiful shot: How good is "The Revenant?" I'm going to try and find, and watch, "Man in the Wilderness" - right now, knowing full well that I'm going to be disappointed. And there's no way that "Spotlight" - good as it was - should have taken Best Picture honors from "The Revenant." --- ETA - Make sure to watch "Man in the Wilderness" *afterwards*, and don't make the mistake of assuming that "The Bear" scene will be any less troubling.
I'm in the process of watching "Spotlight" - the Academy Award winner for Best Picture of 2015 - on Amazon.com, and am typing this as I go. A couple interesting things right off the bat: * "Spotlight" is the first picture since 1952 ("The Greatest Show On Earth") to win Best Picture, and only one other award (in this case, Best Original Screenplay). * There's a fascinating (some might say "annoying") feature on Amazon called "X-Ray," which is sort of a real-time CliffsNotes, listing who is in what scene, and occasional blurbs of trivia, as the film advances (the viewer can disable X-Ray, but I'm taking something of a studious approach to this film (surprise, surprise!), so I'm using it, despite it being a clear-and-present distraction). And yes, it *is* available on Amazon right now, but it will set you back $5.99 to watch. Okay, let me get this over with: Good picture, for sure, but not Best Picture material. I haven't seen the others in 2015, so I have nothing to compare it to, but this just isn't a Best Picture film. I can easily see how it didn't win anything else, other than Best Original Screenplay. However, I'm glad I saw it, as I was simply unaware of the magnitude of the Boston Priests cover-up. Never mind the other cities; I'm talking only about Boston, and (assuming the numbers they throw out at film's-end are true) the problem was of such enormous magnitude that I'm a better person for having seen the film - there's no way I could ever forget, now that I've seen it fully acted out. In fact, I'd say that it's miraculous that the Catholic Church survived to the extent that it did, although there's nobody to "destroy" it except its own parishioners, and they don't want that to happen, so I guess it's not all that miraculous. And quite frankly, I'm not sure the Catholic Church *is* going to survive this. The guy protesting every day on Massachusetts Avenue - I really feel sorry for him. And assuming the figures - and list of cities - at the end of the film are correct (and I'm sure they are), well, let's just say that if this was a publicly traded company, it would be shut down and disbanded. I'd love to know what others thought of the film - I can't think of a single performance that I would consider to be "outstanding" (although many were very good), and I don't understand how enough Academy members voted for this for it to win. Anybody?