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  1. Midnight Cowboy is one of "those movies" I assumed that I'd seen before, but upon watching it, I realized there's absolutely no way I had. What an amazing acting duo by Voight and Hoffman (Hoffman got top billing, but I think Voight captured this film). While this may be the first example of a long string of overacted character roles by Hoffman, he still managed to pull it off. Voight, on the other hand, just plain owned this movie - I cannot imagine anyone playing a better Joe Buck. This plot became so complex and dark that I was mesmerized and stunned into silence. I'd had a long day, and had to work to stay on top of things - this is not a film to be tossed off lightly. It's interesting that 1967 was considered the Big Year of Hollywood turnaround ("the year Hollywood grew up"), and Midnight Cowboy, two years later, carried that torch appropriately into the near future. This film was very sad, and it was progressive of the Academy to award it Best Picture given it's nudity and melancholy overtones.
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