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Showing results for tags 'Tippi Hedren'.
Note: As of this writing, a high-quality version of this film can be found for free at this URL: http://ffilms.org/marnie-1964/. For those trying to find Hitchcock's cameo, this is the *one* time it will be impossible to miss. *** SPOILER ALERT *** Okay, there's something about "Marnie" Edgar (Tippi Hedren) that's more than meets the eye - instead of simply being a shrewd, serial bandit which is obvious from the very beginning, you have two very disturbing scenes in the first thirty minutes: the "dream scene" at her mother's (Louise Latham's) house, which culminates with her mother, Bernice Edgar, taking a very "Hitchcockian" stroll back down the stairs, and the "spilled red ink" scene at Mark Rutland's (Sean Connery's) office. The viewer should also bear in mind that, at this point, there isn't necessarily a reason to believe that Marnie knows that Mark Rutland is a major client of Sidney Strutt's (Martin Gabel's), from whom she stole almost $10,000 to start the movie - but she *might* know, as she's obviously a very resourceful woman, and might have deduced this while working for Mr. Strutt. Sean Connery does not play fools - there's something a *little* too easy about Marnie bearing witness to this five-digit safe combination in the desk drawer of Rutland's office - they apparently had the perfect candidate right before Marnie interviewed - could Rutland have suspected something from the very start? It will be interesting to see how this plays out, but I've learned not to try and outguess Hitchcock (that's the surest way to make a fool of yourself). And yet, he gives her a paper to type about arboreal predators in the Brazilian rainforest, making it very clear that most predators are women - we're being messed with. Master of Suspense bastard! I wonder if this scene of Rutland kissing Marnie had any influence on "Eyes Wide Shut": 1'30" into this 2'10"-long movie, I am as confused as I've ever been with any Hitchcock film - "The Wrong Man," this isn't: I have no idea why anybody is doing anything that they're doing. The "obvious solution," which is being planted into our heads, is too obvious - and it would *really* make this movie dated, whereas one of Hitchcock's trademarks are a timeless quality to most of his works. Every hunch I'd thought of may have been overturned by the question, "Are you still in the mood for killing?" Hitchcock is like Bach: In a Bach Prelude, Fugue, or pretty much anything else, there aren't any superfluous notes (think about it after hearing the question asked (*)). Well, the "obvious solution" happened - with a twist to the twist, of course. I was getting ready to say this was, at best, an average picture, and certainly a sub-average picture for Hitchcock. After having watched the entire film, I still think it's a sub-par Hitchcock film, but I think "Marnie" is a decent motion picture, worth seeing if you're a Hitchcock fan; not necessarily worth seeing if you're looking for true greatness. This is a good film; it's just not a great one. Not having seen either "Frenzy" or "Family Plot," I'm wondering if "The Birds" was Hitchcock's last great movie (Edit: I forgot about "Torn Curtain" and "Topaz," neither of which I've seen either, but for both of which I have greater optimism.) And the final question tonight on Jeopardy: What attracted Sean Connery to Marnie, especially given the thefts? I can see a physical attraction, but to take it as far as he did simply doesn't make any sense at all. (*) This unanswered question remains one of the great unanswered mysteries of this film.
I thought I'd seen "The Birds" in recent years, but I was wrong - I didn't even realize it was shot in color (emphasizing an array of greens). There were lots of "animal horror" movies during the 1950s (I'm thinking of "Tarantula" as I type this), but "The Birds" may have been the first to place abnormal animal behavior in a completely normal situation (if not the first film, then the first influential film).. When thinking about the things it influenced, I immediately thought of "The Walking Dead," which was, of course, influenced by the original zombie film from 1968, "Night of the Living Dead." If this is all true, then if it wasn't for Alfred Hitchcock, there wouldn't be any such thing as the Zombie Apocalypse. Mar 28, 2016 - "The Birds and Night of the Living Dead" by Dawn Keetley on horrorhomerun.com