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Showing results for tags 'Tom Hardy'.
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When I was young, I saw a film titled, "Man in the Wilderness" (1971), which I still remember. "The Revenant" is based upon the same story (also titled "The Revenant," but written nearly 30-years after "Man in the Wilderness" was filmed). Of the two, the latter is *way* more spectacular, and - from what I remember - just plain better: a lot, lot, lot better. Leonard DiCaprio's performance won him an Academy Award for Best Actor, and from the other performances I've seen in 2015, it is fully deserved. Both DiCaprio and Supporting Actor Tom Hardy give two of the greatest performances I've ever seen in a single film - off the top of my head, I can't think of one movie with two better performances. "Midnight Cowboy," maybe, or "Rush?" If you enjoy films dealing with the human struggle to survive against all odds (and don't mind a bit, okay, a *lot* of graphic oomph), you'll really like "The Revenant" - it's not condescending at all. It even mentions Pawnee! Is Emmanuel Lubezki the best Cinematographer in the world? Don't be so sure he's not. Unless you've seen the film, you'll have no idea what this is, but it's a clear homage to prehistoric cave art, and just a beautiful shot: How good is "The Revenant?" I'm going to try and find, and watch, "Man in the Wilderness" - right now, knowing full well that I'm going to be disappointed. And there's no way that "Spotlight" - good as it was - should have taken Best Picture honors from "The Revenant." --- ETA - Make sure to watch "Man in the Wilderness" *afterwards*, and don't make the mistake of assuming that "The Bear" scene will be any less troubling. -
This surely must be the most boring war-action film I've ever seen: I just finished watching it, and remember almost nothing. I know, I know, I'm "supposed" to like it, but it took all my resolve not to fall asleep. "'Dunkirk' is a Booming, Bloodless Bore" by Matthew Gault on warisboring.com Criticize me if you will, but Matthew Gault pretty much says exactly how I feel - at least he remembered George's name; that's more than I can say. The best description I've read about this tale of the Dunkirk Evacuation - the largest evacuation in human history, at about 330,000 people (that Wikipedia link is well-worth reading) - is that 'it's one hell of a story that deserves a better film.'
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Ivan Locke gets into a car at a remote location and begins driving toward London, a 90-minute drive from where he starts. The entire film unfolds in his car as he places and answers dozens of calls over those 90 minutes. He is a man of incredible integrity and, as a result, he blows up his entire life during that drive. He is someone who is accustomed to being in charge and controlling everything that happens around him. He assumes that he can continue doing so, and it is fascinating to watch him try, while it becomes increasingly evident that he cannot do so in the face of these events. It's a harrowing, roller coaster ride for the viewer. The end of the film leaves the story unfinished and that felt exactly right. We left the theater feeling stunned and as if we ourselves had driven that car for 90 minutes down that highway. This generated the most conversation we have had about a film in a long time. FIVE STARS.
