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I never knew that Al Pacino told Sidney Lumet, before the filming of "Dog Day Afternoon" began, that he was too exhausted and depressed to take the role - he had just finished filming "The Godfather Part II." Lumet accepted his decision, and offered the part to Dustin Hoffman, whom Pacino considered to be "his rival" - and that was enough for Pacino to secrete enough adrenaline to do the part after all. Funny - while I think of Pacino and Hoffman as "contemporaries," I've never once thought of them as "rivals." I wonder if Lumet knew what he was doing, psychologically, when he made this move. Who knew? When Sonny was being interviewed by the television statement, and he dropped the F-bomb, they (apparently on a several-second delay), cut to the Looney Tunes theme song - now, *that* was funny. I had no idea that I hadn't seen this film before, but I hadn't. It's a fascinating movie - I thought after fifteen minutes it would be a real stinker (completely failed bank robbery - yawn), but then it started to get interesting, and Sonny started to acquire a Rambo-type of popularity with the general population, acquiring a folk-hero-like following, and there was still almost ninety minutes remaining. You know what? This movie is appropriate for these times (just as I'm sure other people have said about other times). People are so damned miserable that they view Sonny as a hero for their own crummy lives.
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- Crime Drama
- 1975
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(and 19 more)
Tagged with:
- Crime Drama
- 1975
- Dog Day Afternoon
- Sidney Lumet
- Martin Bregman
- Martin Elfand
- Frank Pierson
- Academy Award - Best Original Screenplay
- The Boys in the Bank
- P.F. Kluge
- Thomas Moore
- Al Pacino
- John Cazale
- James Broderick
- Charles Durning
- Lance Henriksen
- Chris Sarandon
- Victor J. Kemper
- Dede Allen
- Artists Entertainment Complex
- Warner Bros.