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Found 2 results

  1. The connection between "Carrie" and "The Handmaid's Tale" is stronger than one might initially think - the difference in stifling oppression occurring between that of an insanely religious, psychopathic mother, and a falsely religious, psychopathic, male-dominated society. Both are tales of attempts at absolute female submission - Carrie by one, sick individual (while tormented by a Lord of the Flies-like hell-school); Handmaid by an entire, dystopian society. Sissy Spacek distanced herself from the rest of the cast (hopefully via Director's decision) early on in the film, during her amazingly poignant and sad shower scene (interestingly, Brian De Palma used nearly the exact same, piercing sounds that Alfred Hitchcock used in "Psycho," shortly following the shower scene (if he had used it during, this film would have immediately descended into farce, and would have been ruined)). Has anyone else noticed this? Some of the scenes in this film are so poorly acted that it nearly comes across as farce, despite itself. PS - Remember Nancy Allen, the High School Bitch from Hell, that fellated John Travolta, and was the mastermind of the entire prom plot? Guess who married Brian De Palma three-years after Carrie was released? A classic chicken-and-egg mystery. Sissy Spacek was beautiful in this movie; not so much physically beautiful, as just a beautiful person -her "first kiss" scene at the prom was as touching as it was tragic to the viewers who knew something awful was about to happen. Stephen King is a real prick for the ending, which I had completely forgotten about.
  2. I got the notion to start re-watching "The Hustler" today because I saw a couple excerpts from "The Color of Money," the supposed "sequel" and absolute disappointment to The Hustler - the two movies shouldn't be mentioned in the same review because The Hustler is a classic; The Color of Money is lame - I remember a friend of mine saying - when it was out in the theaters in 1986, "This could have been so good, and it was such a disappointment," and I could not agree more. Tom Cruise was an embarrassment in his role, and Paul Newman played a weak character, running on fumes, when he should have played a strong mentor, running on sagesse and wisdom. The Hustler is the opposite of a "chick flick" - it's a guy's movie, and a darned good one were it not for too much lag with the scenes between Paul Newman and Piper Laurie in the middle. What a fascinating premise - a young, cocky pool shark from Oakland, California travels the country in search of Minnesota Fats (Jackie Gleason) only to find out what it means to "win" in a high-stakes pool game, with George C. Scott lurking, and making his true entrance later in the film. What a fantastic cast this was. Forget The Color of Money; this post is about The Hustler, and what a terrific movie and cast it was. You could say both that it was a "pool movie," and that it was a drama cloaked as a "pool movie," although when the rematch occurs, all drama take a backseat to pure, hardcore pool. I'm not going to go into much more detail because if you haven't seen it, you should, and if you have, I'd love to hear what you think. What an acting career Paul Newman has had - stretching in this genre alone from Jackie Gleason to Tom Cruise. "The Hustler" - a classic from 1961. Nine Academy Award Nominations, with two wins. A wonderful, entertaining film on multiple levels.
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