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Showing results for tags 'Academy Award (Best Adapted Screenplay)'.
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I actually just watched Forrest Gump again because leleboo said she hated it - I can see why she hated it, but in a very Hollywood way, there's certainly a charm to it, although it is maximally contrived. One thing's for sure: It made a lot of money.
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- Romantic Comedy
- 1994
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Tagged with:
- Romantic Comedy
- 1994
- Academy Award (Best Picture)
- Robert Zemeckis
- Academy Award (Best Director)
- Wendy Finerman
- Steve Tisch
- Steve Starkey
- Charles Newirth
- Eric Roth
- Academy Award (Best Adapted Screenplay)
- Arthur Schmidt
- Academy Award (Best Film Editing)
- Tom Hanks
- Academy Award (Best Actor in a Leading Role)
- Robin Wright
- Gary Sinese
- Mykelti Williamson
- Sally Field
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This is an email I sent to two of my friends last night: --- Okay, first let me get this out of the way: Amadeus was released when I was 23, and only just learning about the fine arts. I *LOVED* it. ... HOWEVER. Have either of you seen the Director's Cut?! OH. MY. GOD. If you haven't, do. It's 20 minutes longer (over 3 hours long), and contains a scene so shocking that my jaw dropped. What's *really* cool is that I've only seen the film once (29 years ago), and I recognize every single scene that wasn't in the original. 'I've *never* seen this before,' I say to myself. Even a brief 3-4 second scene at the beginning when they're rushing Salieri to the hospital is new - I'm sure it is. (*) But this one scene? OH. MY. GOD. It changes the entire movie. --- (*) I shouldn't have been so sure about that opening scene because I checked, and it's in both cuts. "Often wrong; never in doubt," Rocks.
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- Drama
- Historical Drama
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When I was young, I saw Roots (1977) and Holocaust (1978), and they were both very hard on me, nearly impossible to finish. But I don't think any film or series has been more difficult for me to watch than 12 Years A Slave (2013). It took me two days to get through it, and I'm surprised I did (I simply cannot watch people being tortured, even if it's "just a movie.") SPOILERS Perhaps the most amazing thing about this film is that, for a couple of hours, it made *me* a slave. From the time Solomon Northup woke up in chains, up until the time when I was mercifully allowed to see Brad Pitt (a character who I've never been so relieved to see in a movie), I was immersed in sheer Hell. It was as close to a visceral reaction as I've ever had from a film. This movie is tough, tough going, and spares nothing in terms of brutality. I have never wanted to jump through a movie screen, and choke the living shit out of people, as much as I wanted to with 12 Years A Slave. I once asked a friend of mine if he watched Shoah. "Yes, I watched the whole thing because I promised myself I would," he said. This is sort of like that - if you want movie-watching pleasure, steer well-clear of 12 Years A Slave, but if you're looking to examine things in this world, you owe it to about twelve-million people to suffer through, and suffer you will. Some quotes that resonate with me: "It's a film made for a mass audience, but it doesn't want them to feel comfortable for a second." -- Tom Huddleston, TimeOut.com "It's the unhappiest happy ending I've ever seen ...." -- Dana Stevens, Slate.com "It is a film that necessity and education demand seeing." -- David Thompson, The New Republic "I've never seen a sequence [referring to the extended hanging punishment scene] that so elegantly uses duration to lay out an ecosystem of power and powerlessness ...." -- Wesley Morris, Grantland.com "Indeed, it's embarrassing for America that a British director, Steve McQueen ("Shame"), should have had to make this film at all, and that in 2013 it should constitute a breakthrough in cinema for American slavery to be depicted as something entirely evil." -- Mick LaSalle, SFgate.com There will be more, but I need a break.
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