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Found 3 results

  1. I know it's a little bit hard not to cringe at the complacent sexism of this material, but Joe Tex was one of the greatest soul singers we ever had, and this was probably his definitive recording, "Hold What You've Got", from 1964. And I love it. I never had the pleasure of seeing Joe Tex perform live.
  2. I did it. I rented "Saturday Night Fever." I hadn't seen the entire film since I was in high school, in the movie theater, and wanted to see it again - I remember I liked it more than I thought I would, but that was thirty-nine years ago. At the minimum, the film is an icon of the disco era - really, it's *the* icon of the disco era, and that - in-and-of-itself - is historically important enough to give it a second viewing. It goes hand-in-hand with an important, albeit banal, period of our country's history. I never knew (or didn't remember) that the sequel to "Saturday Night Fever" - "Staying Alive" - was written and directed by Sylvester Stallone. Boy, I'll tell you what: Maybe some people can see through this dated, weary film as a "coming-of-age" drama wrapped in disco, but I see it as just plain weary. Yes, it's an icon of an era, but what era? - between "Welcome Back, Kotter," "Saturday Night Fever," "Grease," and "Urban Cowboy," John Travolta was arguably the hottest thing in the late 1970's, but this five-year period - which is when I graduated from high school - is probably *the worst* five-year-period I can think of when it comes to popular film and music. I've always thought that pop culture during my teen years was about as bad as it gets, and re-seeing "Saturday Night Fever" only confirms that. No, it wasn't worse than any other run-of-the-mill rom-com, but run-of-the-mill rom-coms are pretty awful. If *this* film is the cinematic and musical emblem of my high-school years, then that doesn't say much for my high-school years. And to think it took Quentin Tarantino to revive the man.
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