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The National Portrait Gallery has commissioned Kehinde Wiley and Amy Sherald to paint the museum's official portraits of former President Barack Obama and former First Lady Michelle Obama. The two portraits will be unveiled at the museum in early 2018 and will be added to the Portrait Gallery’s permanent collection. Kehinde Wiley received wide acclaim for his touring exhibit "Kehinde Wiley: A New Republic," which appeared at the Brooklyn Museum, Modern Art Museum of Fort Worth, Virginia Museum of Fine Arts, Seattle Art Museum, Phoenix Art Museum, Toledo Museum of Art, and Oklahoma City Museum of Art. Amy Sherald is from Baltimore and is probably best known to DC folks for her First Place painting at The Outwin 2016.
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- Washington DC
- Painting
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In celebration of the 500th anniversary of the birth of Jacopo Tintoretto, the National Gallery is launched a major three part exhibition starting March 4 and running thru June 9 and July 7, including the first retrospective of the artist in North America. Tintoretto: Artist of Renaissance Venice (March 24-July 7, 2019) In celebration of the 500th anniversary of the birth of Jacopo Tintoretto (1518/1519–1594), the National Gallery of Art, Washington and the Fondazione Musei Civici di Venezia with the special cooperation of the Gallerie dell’Accademia, will organize a major exhibition on the Venetian master. Following its opening at the Palazzo Ducale, Venice, beginning in September 2018, Tintoretto: Artist of Renaissance Venice will travel to the Gallery—its only other venue—from March 24 through July 7, 2019. As the first retrospective of the artist in North America, the exhibition will include many significant international loans traveling to the U.S. for the first time. The exhibition will feature nearly 50 paintings and more than a dozen works on paper spanning the artist’s entire career and ranging from regal portraits of Venetian aristocracy to religious and mythological narrative scenes. Drawing in Tintoretto’s Venice (March 24-June 9, 2019) The first exhibition to focus specifically on Tintoretto’s work as a draftsman, Drawing in Tintoretto’s Venice provides new ideas about his evolution as a draftsman, about the dating and function of the so-called sculpture drawings, and about Tintoretto’s place in the Venetian tradition. Venetian Prints in the Time of Tintoretto (March 24-June 9, 2019) Completing the panorama of Venetian art in the time Tintoretto is an exhibition that will present some 40 prints from the second half of the 16th century, ranging from the exquisite etchings of Parmigianino and his immediate followers in the Veneto, to the spectacular woodcuts of Giuseppe Scolari, most from the Gallery’s own collection. They will reveal a critical source for Tintoretto’s artistic formation, parallel developments toward a distinctively Venetian mannerism, and striking graphic responses to the dynamism and expressiveness of Tintoretto’s style.
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- Washington DC
- Smithsonian Insititue
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- David Hockney
- 1972
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I will admit I know very little about art, but I do know, or think I do, I have discerning taste. Gallery Row in Lancanter Pa, certainly has a number of noteworthy galleries worth a visit from those outside the area. I am rarely blown away by a piece of art. Today I was impressed. A painting titled, Cervantes Dali, completely haunted me. To conclude my statement, being haunted by a composition of art is a good thing. .David Silvah, you are a master. This piece can be found at CityFolk Gallery on Prince Street. Priced at less that 2 months rent in the District can afford you this outstanding work. future art collector, kat
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In the Italian Renaissance section of the National Gallery (West Building), you can see works by Panini and Carpaccio. Last weekend, I stumbled across this "Madonna and Child" (c1505-1510) by Vittore Carpaccio and laughed out loud when I saw it. Click on it, and zoom in on the flying cherubs - they look like something straight out of the 20th century, and they are *hilarious*.
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- Painting
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Perhaps I'm burnt out with Impressionists after touring the Barnes Collection. First of all Degas/Cassatt was packed over the Memorial Day weekend, barely able to move packed, can't read the walk text packed, stumbling over other people packed. Which was good to see. The show investigates the long relationship between Degas and Cassatt and how they influenced each other. Perhaps the most interesting room was the side room featuring a body of work by Degas known as Cassatt at the Louvre: The Etruscan Gallery. The show features many small etchings and studies, which in a packed room are tough to enjoy. But in the end, few of the major, finished pieces are particularly strong.